﻿1
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{\an8}UMI

2
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{\an8}Thanks for working for us for a week!

3
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We really owe you one!

4
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We're going to miss you.

5
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Miku-chan, Hiiragi-san...

6
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Thank you so much for taking care of me!

7
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Pleasure's all ours!

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AKANE-CHAN

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Here you go.
It's not much, but you earned it.

10
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Thanks!

11
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I have Kyo-chan to thank, but...

12
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You're performing next week, was it?

13
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Uh, yes!

14
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Wait, didn't you say that
you had mid-terms?

15
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What? Can you handle it?

16
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Will you be all right?

17
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Just who do you think I am?

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Of course! I'm going to crush them both!

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ONE WEEK LATER

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{\an8}FOURTH STORY
BEYOND JOY

21
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{\an8}Our venue today is a retirement home, huh?

22
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{\an8}ASSISTED LIVING FACILITY KAGAYAKI

23
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{\an8}Ah, hello there.

24
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You're the Rakugoka, right?

25
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I'm Tainaka, and I'll be in charge today.

26
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My name is Kyoji Arakawa.

27
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I'm looking forward to today.

28
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My name is Akane.

29
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Thank you for having us.

30
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{\an8}Please come this way. Oh, I'm so sorry.

31
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No, not at all. Thank you, as always.

32
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Oh, what a sweet child.

33
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<i>The audience today...</i>

34
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They all live here, right?

35
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That's right.

36
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They've asked us to perform today
as part of the facility's recreation.

37
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I see.

38
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Get used to it.

39
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The beauty of Rakugo is that
you can perform anywhere,

40
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as long as there's a cushion.

41
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You may have misgivings about
a strange environment...

42
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Misgivings?

43
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What, you don't?

44
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No, actually, I feel lucky.

45
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Lucky?

46
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It hit me just now.

47
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<i>That today's audience
normally lives this kind of life.</i>

48
00:03:21,096 --> 00:03:25,601
Well, you know how we can only see
the audience when they're at the venue?

49
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<i>So even though it's a given,</i>

50
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<i>I know that they live ordinary lives,
and they're taking the time to see Rakugo.</i>

51
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<i>That's why I'm glad to be at this venue.</i>

52
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I mean, I was raring to go from the start,

53
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but right now, I'm more eager to have them
enjoy themselves.

54
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I see.

55
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That's a good attitude to have, but don't
put too much pressure on yourself.

56
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Uh, right.

57
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I've received permission
from the director.

58
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You'll be taking care of the opening act.

59
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You'll have 15 minutes.

60
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You can do whatever you want.

61
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Your Rakugo performance
that the audience will enjoy...

62
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I'll get a good look
at the answer you arrived at.

63
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<i>Right.</i>

64
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We'll be starting the Rakugo performance.

65
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<i>You've really given me the chance
to learn so much.</i>

66
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<i>So as thanks to you...</i>

67
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<i>I'm going to nail my answer
to your question!</i>

68
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<i>It looks like there are 20 or so people.</i>

69
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<i>And they're all grandpas and grandmas.</i>

70
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<i>Well, of course they are.
It's a retirement home.</i>

71
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<i>My time slot is 15 minutes.</i>

72
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<i>Let's see how much I can have them
enjoy themselves in that time.</i>

73
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If you want people to like you,
then first, you need to accept them!

74
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<i>You're right, Miku-chan!</i>

75
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<i>First, I'll let them get to know me!</i>

76
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So... Hello, my name is Akane.

77
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I'm just a 17-year-old
high school student.

78
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Oh, dear. She's the same age
as my grandchild!

79
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I'll start training...

80
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What? I'm the same age as your grandchild?

81
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If you don't mind my asking,
ma'am, how old are you?

82
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I'm going to be 88 soon.

83
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Oh, 88?

84
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You're so young!

85
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From any angle, you don't look
a day older than 87!

86
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Does anybody else here have grandchildren
in high school?

87
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Oh, so many!

88
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Then I hope you'll see me as
your granddaughter visiting!

89
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And I hope you'll enjoy...

90
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<i>I see what she's doing.</i>

91
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<i>She's trying to get a read</i>

92
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<i>on the atmosphere in this venue.</i>

93
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<i>The Makura.</i>

94
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<i>The small talk and light conversation
before you launch into your story.</i>

95
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<i>It's during this time that Rakugoka
warm up the audience,</i>

96
00:05:57,628 --> 00:05:59,505
<i>and get a feel for them.</i>

97
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<i>I think I've gotten a sense
of this audience's vibe.</i>

98
00:06:02,883 --> 00:06:04,718
<i>All that's left is that person.</i>

99
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<i>Right now, he's the only one
who looks bored.</i>

100
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<i>In that case...</i>

101
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Today I'd like to tell you a story
called "Praising Children."

102
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I'd appreciate it if you could please
bear with me until the end.

103
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<i>Last eye contact?</i>

104
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Right.

105
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You know how they say the eyes
are as eloquent as the mouth?

106
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It's a customer service strategy
that flight attendants use.

107
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You look someone in the eye just as
they're leaving, and give them a smile!

108
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It'll give them a good impression.

109
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Will it go that smoothly?

110
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Of course! Just think about it.

111
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It's not anyone else.

112
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<i>If someone smiles at you alone,</i>

113
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<i>wouldn't that make you
feel special, and happy?</i>

114
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{\an8}<i>Saburo, get a hold of yourself!</i>

115
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{\an8}<i>She's like a different person.</i>

116
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{\an8}<i>Rakugo demands that you have
a conversation with the audience.</i>

117
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{\an8}<i>Even if you don't exchange words,
there's information you can mine</i>

118
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<i>from gazes, facial expressions,
and the atmosphere.</i>

119
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<i>By reading and empathizing
with their feelings,</i>

120
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<i>you can draw them into your story.</i>

121
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<i>And the only way to do that
is by responding to your audience.</i>

122
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They say that borrowed plumes
will soon come off.

123
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Apparently, mimicking others
doesn't ever go well.

124
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<i>Looks like she learned a lot
at Izakaya Umi. Now...</i>

125
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<i>I'm ready! Now it's starting for real!</i>

126
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Ah, hello, Old Master!

127
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What? Is that you, Hattsan?

128
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Well, never mind that, come on in!

129
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Thank you.

130
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What brings you here today?

131
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Well, I just thought I'd come over
for some of that...

132
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free sake.

133
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What's that?

134
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Come on, you don't have to hide it!

135
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I just heard from someone outside
that you serve sake for free here.

136
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I thought, I could use some free sake!
And so here I am.

137
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Come on, give me a drink, you cheapskate!

138
00:08:04,755 --> 00:08:08,759
Now look here, you sure are being hasty.

139
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As if there were
any free sake in this world!

140
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What I've got here is sake for three.

141
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Not free, but three.

142
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Three and free?

143
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<i>It's the same story,
but it feels so different.</i>

144
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Come on, I came all this way.

145
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PRAISING CHILDREN

146
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<i>"Praising Children."</i>

147
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<i>In this Zenza-banashi,
Hachigoro pesters the Old Master</i>

148
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<i>for free drinks, but instead, he's taught
how to compliment others.</i>

149
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<i>Since he wasn't paying attention,
he keeps falling flat.</i>

150
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Oh, I get it.

151
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If a 45-year-old comes along,
you say, "You look so young for 45."

152
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"You only look maybe around 100!"

153
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No, I said, younger than 45!

154
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What's that now?

155
00:08:49,383 --> 00:08:51,677
You don't know anything, do you?

156
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For a man of 45, that's about 42 or so!

157
00:08:54,054 --> 00:08:56,682
If you tell a 45-year-old
that he looks 42...

158
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<i>A slow tempo.</i>

159
00:08:59,685 --> 00:09:01,979
<i>Just right for today's audience.</i>

160
00:09:02,813 --> 00:09:07,401
<i>Only a Rakugoka can adjust
her storytelling to suit her audience.</i>

161
00:09:07,484 --> 00:09:09,319
<i>So she's building on her last experience.</i>

162
00:09:10,237 --> 00:09:12,322
<i>Looks like I can watch her today
with no qualms.</i>

163
00:09:13,991 --> 00:09:16,368
What do I do if I see someone who's 50?

164
00:09:16,451 --> 00:09:20,205
Well, then you tell him he looks like he's
45 or 46.

165
00:09:20,289 --> 00:09:22,833
Okay... And if the person is 60?

166
00:09:22,916 --> 00:09:24,835
Well, then 55 or 56.

167
00:09:24,918 --> 00:09:26,962
Oh, is that right? How about 70?

168
00:09:27,045 --> 00:09:28,171
Yeah, 65 or 66.

169
00:09:28,255 --> 00:09:29,214
And 80?

170
00:09:29,298 --> 00:09:30,716
Ugh, 75 or 76.

171
00:09:30,799 --> 00:09:31,717
And 90?

172
00:09:31,800 --> 00:09:33,802
Say 85 or 86.

173
00:09:33,885 --> 00:09:34,678
And 100?

174
00:09:36,597 --> 00:09:39,016
<i>Is she increasing the tempo?</i>

175
00:09:39,099 --> 00:09:42,102
<i>Like a car shifting into higher gear,
gradually accelerating...</i>

176
00:09:42,185 --> 00:09:44,521
<i>She's increasing the tempo of her story,
bit by bit.</i>

177
00:09:44,605 --> 00:09:47,190
Maybe say 95 or 96?

178
00:09:47,274 --> 00:09:50,027
<i>The audience hasn't realized
that the tempo's faster.</i>

179
00:09:50,527 --> 00:09:52,070
<i>Don't tell me...</i>

180
00:09:52,154 --> 00:09:55,407
<i>In order to make sure they'd enjoy it
even at the tempo of your choice...</i>

181
00:09:55,490 --> 00:09:57,826
<i>You got them used to it?</i>

182
00:10:00,912 --> 00:10:01,705
What?

183
00:10:01,788 --> 00:10:04,041
You even make your own mayonnaise?

184
00:10:04,124 --> 00:10:05,751
Talk about passionate!

185
00:10:05,834 --> 00:10:07,461
Of course!

186
00:10:07,544 --> 00:10:10,172
First and foremost,
the customer needs to be happy.

187
00:10:10,255 --> 00:10:14,092
And second, I need to serve them food
that I can be proud of!

188
00:10:14,676 --> 00:10:16,053
<i>What a surprise.</i>

189
00:10:17,095 --> 00:10:19,306
<i>Attentiveness, eh?</i>

190
00:10:19,389 --> 00:10:22,351
Well, I'm sure Akane will do just fine.

191
00:10:23,060 --> 00:10:26,563
With all due respect,
she seemed to be brooding.

192
00:10:26,647 --> 00:10:32,444
{\an8}See, Akane is someone who can think
about others, care for them, and learn.

193
00:10:33,236 --> 00:10:37,699
Seems like an apprentice from another
school's got her worked up lately,

194
00:10:39,534 --> 00:10:40,952
<i>but there's nothing to worry about.</i>

195
00:10:41,495 --> 00:10:44,998
<i>Those eyes will surely reach the audience.</i>

196
00:10:45,916 --> 00:10:47,250
<i>Thank goodness.</i>

197
00:10:47,334 --> 00:10:50,212
<i>My storytelling is making
the audience laugh.</i>

198
00:10:50,295 --> 00:10:52,339
<i>I'm so thrilled!</i>

199
00:10:52,923 --> 00:10:54,091
<i>Also, "Praising Children"</i>

200
00:10:54,174 --> 00:10:57,260
<i>is a tale about a man who didn't listen
to what someone was teaching him.</i>

201
00:10:57,344 --> 00:10:59,096
<i>He was a know-it-all
but he kept messing up.</i>

202
00:10:59,680 --> 00:11:03,392
<i>I think in a lot of ways,
that's exactly how I've been lately.</i>

203
00:11:03,475 --> 00:11:06,144
<i>This story really hit home for me.</i>

204
00:11:06,937 --> 00:11:09,940
<i>Come to think of it,
years ago, the master...</i>

205
00:11:15,404 --> 00:11:21,451
Listen, Akane, Rakugo is an art form
created by the townspeople of that era.

206
00:11:21,535 --> 00:11:25,080
That's one reason why the characters
are carpenters, fishermen,

207
00:11:25,163 --> 00:11:27,416
landlords who rent out homes...

208
00:11:27,499 --> 00:11:30,210
They were ordinary people, just like us.

209
00:11:31,378 --> 00:11:36,258
So you'll one day come to understand
how the people in your stories felt.

210
00:11:37,384 --> 00:11:40,637
Will I understand
how people from long ago felt?

211
00:11:40,720 --> 00:11:42,222
Sure you will.

212
00:11:43,223 --> 00:11:49,855
<i>Being human and how people think
hasn't changed at all, no matter the era.</i>

213
00:11:51,356 --> 00:11:54,526
So Akane, I hope you'll experience
all kinds of things.

214
00:11:54,609 --> 00:11:56,027
Agonize as much as you want.

215
00:11:56,111 --> 00:11:57,737
Get hurt a lot.

216
00:11:58,321 --> 00:12:02,492
And one day for sure,
all of that will fuel your stories.

217
00:12:05,829 --> 00:12:08,498
<i>At the time,
I didn't really get what he meant.</i>

218
00:12:09,666 --> 00:12:11,209
<i>But now I know.</i>

219
00:12:12,210 --> 00:12:16,506
<i>My experiences from back then
are connected to this moment right now!</i>

220
00:12:17,048 --> 00:12:19,551
<i>I'm sure nothing went to waste.</i>

221
00:12:20,051 --> 00:12:23,597
<i>Every bit of it is an asset to my Rakugo.</i>

222
00:12:25,599 --> 00:12:26,933
How old, did you say?

223
00:12:27,017 --> 00:12:29,728
He was just born, so he's one.

224
00:12:29,811 --> 00:12:31,188
One? Hey!

225
00:12:31,271 --> 00:12:33,023
For one, he looks really young!

226
00:12:33,106 --> 00:12:36,985
{\an8}You idiot, if he looks young for one,
how the heck old would that be?

227
00:12:37,068 --> 00:12:39,696
{\an8}He couldn't be more than half.

228
00:12:47,996 --> 00:12:49,206
<i>Amazing.</i>

229
00:12:51,583 --> 00:12:55,420
<i>Rakugo is so much fun!</i>

230
00:13:04,095 --> 00:13:05,764
I hardly recognized you.

231
00:13:05,847 --> 00:13:07,307
I was truly stunned.

232
00:13:07,891 --> 00:13:10,018
Keep that up
and apply yourself to your training.

233
00:13:10,101 --> 00:13:12,020
Thank you very much!

234
00:13:13,230 --> 00:13:14,731
What are you thanking me for?

235
00:13:14,814 --> 00:13:16,483
For everything.

236
00:13:17,442 --> 00:13:21,238
I understand how narrow
my perspective was until now.

237
00:13:21,738 --> 00:13:26,660
I think I've started liking Rakugo
even a little more now.

238
00:13:27,744 --> 00:13:28,620
<i>Is that right?</i>

239
00:13:29,246 --> 00:13:32,165
I'm not sure what you mean,
but if I was helpful, I'm glad.

240
00:13:33,375 --> 00:13:36,378
I got a good look at your answer.

241
00:13:36,461 --> 00:13:38,547
Now it's my turn to captivate you.

242
00:13:39,714 --> 00:13:43,218
<i>I'm going to show you how imposing
your elder fellow apprentice is!</i>

243
00:13:47,347 --> 00:13:51,142
<i>At the last two-man show, I was so busy
with chores in the dressing room,</i>

244
00:13:51,226 --> 00:13:52,978
<i>that I didn't get a good look.</i>

245
00:13:58,858 --> 00:14:02,862
<i>This is my first time
watching Kyoji-san's performance.</i>

246
00:14:04,698 --> 00:14:06,825
My name is Kyoji Arakawa.

247
00:14:07,659 --> 00:14:09,786
<i>The way he sits is so beautiful.</i>

248
00:14:10,370 --> 00:14:12,872
<i>Just having great posture
is enough to rivet you.</i>

249
00:14:12,956 --> 00:14:15,375
...Edokko,
those who were born and raised in Edo.

250
00:14:15,458 --> 00:14:18,837
No true Edokko saves his money.
They had no fixation on getting rich...

251
00:14:18,920 --> 00:14:20,922
<i>She answered my question with aplomb.</i>

252
00:14:21,840 --> 00:14:23,383
<i>Now, it's my turn.</i>

253
00:14:23,967 --> 00:14:28,388
<i>What can I show her from up here?</i>

254
00:14:28,471 --> 00:14:32,517
Seems like they were quite
a carefree bunch.

255
00:14:33,018 --> 00:14:34,728
Oh, come on.

256
00:14:34,811 --> 00:14:37,230
Why did I have to find
something like this?

257
00:14:37,314 --> 00:14:38,940
I found a wallet.

258
00:14:39,024 --> 00:14:42,068
I look inside and there's three <i>ryo</i>,
an official document, and a seal.

259
00:14:42,152 --> 00:14:45,488
{\an8}It says here, Kanda Tate Daikucho,
Kichigoro, the carpenter.

260
00:14:45,572 --> 00:14:46,656
{\an8}<i>This story...</i>

261
00:14:47,574 --> 00:14:49,367
<i>It's "Three Men Lose One Ryo."</i>

262
00:14:50,285 --> 00:14:52,203
<i>Kintaro finds a wallet in the street.</i>

263
00:14:52,287 --> 00:14:55,415
<i>Using the official document
and seal inside,</i>

264
00:14:55,498 --> 00:14:58,084
<i>he tracks down the owner, Kichigoro,
and delivers it to him.</i>

265
00:14:58,168 --> 00:15:01,796
<i>But no true Edokko would save his money
for tomorrow.</i>

266
00:15:02,297 --> 00:15:06,593
<i>Faced with the lost three ryo,
neither man would bend their will.</i>

267
00:15:07,093 --> 00:15:08,219
Here it is.

268
00:15:08,303 --> 00:15:11,932
Oh, I see, there's a Kichi
inside the circle.

269
00:15:13,350 --> 00:15:16,102
Yeah, but I just hope
this damned guy is here.

270
00:15:16,186 --> 00:15:19,481
If he's not around, I'd look like a fool
holding this thing.

271
00:15:19,564 --> 00:15:22,317
What's this? Looks like he just repapered
his shoji screens.

272
00:15:22,400 --> 00:15:23,735
Why don't I just check for myself.

273
00:15:23,818 --> 00:15:24,653
Here we go!

274
00:15:24,736 --> 00:15:27,447
Uh, so what's the situation?

275
00:15:28,114 --> 00:15:29,282
Hey, there he is.

276
00:15:29,366 --> 00:15:30,951
Right, so that's the Kichi dude.

277
00:15:31,034 --> 00:15:34,496
<i>Every word and gesture is meticulous.</i>

278
00:15:34,579 --> 00:15:37,123
<i>His Rakugo is perfectly executed
and serious.</i>

279
00:15:38,416 --> 00:15:42,545
Hey! A real Edokko would pair his sake
with something less savory!

280
00:15:44,714 --> 00:15:45,882
Some weird guy just showed up.

281
00:15:46,883 --> 00:15:49,719
Hey, you're the carpenter,
Kichigoro, right?

282
00:15:49,803 --> 00:15:50,929
That's right.

283
00:15:51,012 --> 00:15:53,682
I'm a carpenter, and my name is Kichigoro.
Who the heck are you?

284
00:15:53,765 --> 00:15:56,601
Me? I'm Kintaro the plasterer.

285
00:15:56,685 --> 00:15:59,104
Kintaro, you say?
For a Kintaro, you're not that red.

286
00:15:59,187 --> 00:16:02,941
<i>I get it. Kyoji-san's not just serious.</i>

287
00:16:03,024 --> 00:16:04,067
Listen, you!

288
00:16:04,150 --> 00:16:06,027
<i>He's too serious!</i>

289
00:16:06,111 --> 00:16:08,863
I came all this way to give it
back to you.

290
00:16:08,947 --> 00:16:09,990
Go on, take it!

291
00:16:11,700 --> 00:16:13,743
What did you go and do that for?

292
00:16:13,827 --> 00:16:15,704
You bastard! Damn you!

293
00:16:15,787 --> 00:16:18,623
{\an8}Listen, I didn't
leave this wallet there, okay?

294
00:16:18,707 --> 00:16:20,333
I dropped it, all right?

295
00:16:20,417 --> 00:16:23,378
Whether I dropped it at Yanagiwara
or some other place, I couldn't care less!

296
00:16:23,461 --> 00:16:25,755
You couldn't care less?

297
00:16:25,839 --> 00:16:28,133
Look, your name is on this document, see?

298
00:16:28,216 --> 00:16:29,300
Shut up, you jerk!

299
00:16:29,384 --> 00:16:31,886
I don't want that money.
I'm giving it to you, so take it!

300
00:16:31,970 --> 00:16:34,389
I'm getting a beat-down
for returning your money?

301
00:16:34,472 --> 00:16:36,016
How ridiculous is that?

302
00:16:36,099 --> 00:16:37,475
- How dare you!
- Shut up!

303
00:16:37,559 --> 00:16:39,686
<i>The Rakugo dialogue itself is comical.</i>

304
00:16:39,769 --> 00:16:42,230
<i>But if he delivers it so seriously,
it'll make me laugh!</i>

305
00:16:42,313 --> 00:16:45,817
Oh, no! Another ruckus started next door.

306
00:16:45,900 --> 00:16:48,820
Hey, Mr. Landlord! Mr. Landlord!

307
00:16:49,404 --> 00:16:50,363
<i>Kyoji.</i>

308
00:16:51,072 --> 00:16:53,950
You shouldn't try to make people laugh.

309
00:16:54,034 --> 00:17:00,123
You're not adroit enough to make people
laugh at your witty wordplay, are you?

310
00:17:00,206 --> 00:17:01,833
<i>Be serious.</i>

311
00:17:02,792 --> 00:17:06,337
If I may, Master, just being serious
won't get any laughs.

312
00:17:06,421 --> 00:17:08,965
True, just being serious would be boring.

313
00:17:09,049 --> 00:17:09,883
But you know what?

314
00:17:09,966 --> 00:17:12,343
<i>If you're too serious, it'll be funny.</i>

315
00:17:13,511 --> 00:17:15,597
If it's exceptional,
that'll be your uniqueness.

316
00:17:15,680 --> 00:17:17,015
Be stubbornly honest.

317
00:17:17,098 --> 00:17:19,726
That will be your weapon.

318
00:17:19,809 --> 00:17:22,228
And so, the matter of the three <i>ryo</i>,

319
00:17:22,312 --> 00:17:25,607
which had sparked this spat
between Kichigoro and Kintaro,

320
00:17:25,690 --> 00:17:28,193
<i>was sent before
the honorable Ooka Echizen,</i>

321
00:17:28,276 --> 00:17:30,695
<i>Magistrate of South Edo for his ruling.</i>

322
00:17:31,279 --> 00:17:32,363
Kichigoro.

323
00:17:32,447 --> 00:17:35,408
I understand that when this Kintaro came
to deliver the wallet you had lost,

324
00:17:35,492 --> 00:17:38,119
you flew into a rage and struck him.

325
00:17:38,203 --> 00:17:39,537
Is that correct?

326
00:17:40,121 --> 00:17:41,414
That's correct, but please understand,

327
00:17:41,498 --> 00:17:44,292
I have no intention of accepting money
that I'd dropped,

328
00:17:44,375 --> 00:17:45,919
so I told him, "You take it instead!"

329
00:17:46,503 --> 00:17:47,462
Is that so?

330
00:17:47,962 --> 00:17:48,922
Kintaro.

331
00:17:49,005 --> 00:17:51,925
Why did you not accept
his offer of three <i>ryo</i>?

332
00:17:52,509 --> 00:17:54,052
Are you kidding me, your honor?

333
00:17:54,135 --> 00:17:57,514
It's our job to teach society the virtue
of returning lost items to their owners!

334
00:17:57,597 --> 00:17:59,682
I'm not some tightwad who'd pounce
on someone else's three <i>ryo</i>!

335
00:18:00,391 --> 00:18:01,935
Is that so?

336
00:18:02,018 --> 00:18:06,815
So you're telling me that neither of you
is willing to accept this money?

337
00:18:07,857 --> 00:18:11,361
<i>The relationship between a Rakugo master
and his apprentices is a strange one.</i>

338
00:18:12,153 --> 00:18:13,947
<i>Just because a master takes on apprentices</i>

339
00:18:14,030 --> 00:18:16,032
<i>that doesn't mean he gains anything.</i>

340
00:18:17,033 --> 00:18:21,287
<i>In fact, from teaching etiquette
to Rakugo training,</i>

341
00:18:21,788 --> 00:18:23,498
<i>and so many other things...</i>

342
00:18:23,998 --> 00:18:25,458
<i>All he does is give.</i>

343
00:18:26,334 --> 00:18:27,335
<i>But even so...</i>

344
00:18:30,713 --> 00:18:34,759
I have heard both your arguments, and
now I, Echizen, will deliver my verdict.

345
00:18:35,260 --> 00:18:37,971
The three <i>ryo</i>
at the center of this dispute...

346
00:18:38,054 --> 00:18:40,098
I will hold onto them for you.

347
00:18:40,181 --> 00:18:45,019
And now, I shall give both
Kichigoro and Kintaro a reward!

348
00:18:46,187 --> 00:18:49,691
This is to thank you for your display
of Edokko generosity.

349
00:18:49,774 --> 00:18:53,778
<i>And even so, the master cares for us
as if we were his own children,</i>

350
00:18:53,862 --> 00:18:57,198
<i>and with no regard for gain or loss,
he's always looking after us.</i>

351
00:18:57,824 --> 00:18:59,617
<i>I can't even begin to thank him.</i>

352
00:19:01,911 --> 00:19:04,998
All right, now pick up
from where you left off.

353
00:19:05,081 --> 00:19:06,040
Yes.

354
00:19:06,749 --> 00:19:09,669
If Kichigoro had taken the money that
Kintaro returned to him,

355
00:19:09,752 --> 00:19:11,713
he would've had three <i>ryo</i>.

356
00:19:11,796 --> 00:19:14,048
And if Kintaro had taken the money

357
00:19:14,132 --> 00:19:16,092
that was offered to him,
he would've had three <i>ryo</i>.

358
00:19:16,176 --> 00:19:19,512
I will add one <i>ryo</i> to the three
that I'm holding for you,

359
00:19:19,596 --> 00:19:22,473
and by handing you each two <i>ryo</i>...

360
00:19:22,557 --> 00:19:26,436
<i>Let me, as her elder fellow apprentice,
give generously to her.</i>

361
00:19:27,145 --> 00:19:29,063
<i>Just like the master did for me.</i>

362
00:19:29,689 --> 00:19:32,901
<i>And I'll keep being someone
who's capable of giving.</i>

363
00:19:33,693 --> 00:19:36,738
<i>I'll become someone who harbors words,</i>

364
00:19:37,614 --> 00:19:38,740
<i>as a person,</i>

365
00:19:39,574 --> 00:19:40,742
<i>as a Rakugoka,</i>

366
00:19:41,326 --> 00:19:43,411
<i>I'll move forward, and show you...</i>

367
00:19:43,912 --> 00:19:47,415
<i>the example of the kind of elder fellow
apprentice that you'll want to pursue!</i>

368
00:19:49,125 --> 00:19:50,752
And thus, my judgment is...

369
00:19:52,462 --> 00:19:55,215
three men lose one <i>ryo</i> each!

370
00:19:56,799 --> 00:19:58,051
Amazing.

371
00:20:03,890 --> 00:20:07,060
<i>So this is Kyoji-san's Rakugo!</i>

372
00:20:11,940 --> 00:20:14,901
Oh, wow, so it was a roaring success.

373
00:20:14,984 --> 00:20:16,569
Good for you!

374
00:20:16,653 --> 00:20:17,862
I know!

375
00:20:17,946 --> 00:20:20,114
And Kyoji-san's Rakugo
was incredible, too!

376
00:20:21,241 --> 00:20:24,327
Hey, I used all the customer service
that I learned here in my Makura...

377
00:20:24,410 --> 00:20:25,328
I just remembered.

378
00:20:25,828 --> 00:20:27,372
I have no problem with it,

379
00:20:27,455 --> 00:20:30,750
but there are some who frown upon
the opening act starting with a Makura,

380
00:20:30,833 --> 00:20:31,960
so be careful.

381
00:20:32,043 --> 00:20:32,919
Right!

382
00:20:35,088 --> 00:20:36,005
One more thing.

383
00:20:36,089 --> 00:20:38,216
From now on, call me Kyoji Ani-san.

384
00:20:39,926 --> 00:20:42,220
Did you say Ani-san?

385
00:20:42,303 --> 00:20:43,221
That's right.

386
00:20:43,972 --> 00:20:45,098
<i>Being taken on as an apprentice</i>

387
00:20:45,181 --> 00:20:48,142
<i>is like starting a parent-child
relationship with your master.</i>

388
00:20:48,226 --> 00:20:51,604
<i>The master is our parent, and
his apprentices are all his children.</i>

389
00:20:51,688 --> 00:20:54,148
<i>You don't use honorifics
for your siblings, do you?</i>

390
00:20:54,232 --> 00:20:59,153
Rakugoka call their close seniors
Ani-san or Nee-san.

391
00:21:00,029 --> 00:21:01,656
Got that, Akane?

392
00:21:02,949 --> 00:21:05,118
It's not inward that
you need to gaze into right now.

393
00:21:05,201 --> 00:21:08,579
<i>I got a good look at your answer.</i>

394
00:21:09,497 --> 00:21:11,374
<i>For the first time,
he called me by my name.</i>

395
00:21:11,874 --> 00:21:12,709
Right.

396
00:21:14,294 --> 00:21:17,213
Thank you for teaching me, Kyoji Ani-san!

397
00:21:17,297 --> 00:21:19,215
Yes. Well done.

398
00:21:21,050 --> 00:21:23,428
Isn't this great? Like the joys of youth!

399
00:21:23,511 --> 00:21:28,224
Hey, come to think of it,
are your midterms going well?

400
00:21:28,308 --> 00:21:29,475
Oh shoot.

401
00:21:29,559 --> 00:21:30,768
Oh shoot...

402
00:21:30,852 --> 00:21:32,228
Oh shoot?

403
00:21:32,812 --> 00:21:35,064
Just what is going on here?

404
00:21:36,274 --> 00:21:37,859
No, no, it's just...

405
00:21:37,942 --> 00:21:41,487
Hey, I was thinking I should start
working on that, you know?

406
00:21:41,571 --> 00:21:44,615
You little fool!

407
00:21:45,116 --> 00:21:48,745
Didn't I tell you that while you're
in school, your studies come first?

408
00:21:48,828 --> 00:21:50,997
I forbid you from accompanying me
during your mid-terms!

409
00:21:51,080 --> 00:21:52,373
Hit the books!

410
00:21:52,457 --> 00:21:55,460
Starting tomorrow,
bring your notebook every day!

411
00:21:55,543 --> 00:21:56,544
No need to be shy!

412
00:21:56,627 --> 00:21:58,254
How did it come to this?

413
00:21:58,338 --> 00:21:59,756
I don't know either.

414
00:21:59,839 --> 00:22:01,215
Hey! Are you listening?

415
00:22:01,299 --> 00:22:02,967
Ah, youth!

416
00:23:36,269 --> 00:23:37,937
NEXT EPISODE
HER PATH FORWARD

417
00:23:38,813 --> 00:23:40,481
<i>Akane Small Talk!</i>

418
00:23:44,485 --> 00:23:45,528
Kyoji Ani-san!

419
00:23:45,611 --> 00:23:49,157
Calling you "Ani-san"
makes me feel a lot closer to you.

420
00:23:49,240 --> 00:23:50,116
Right.

421
00:23:50,199 --> 00:23:52,910
Being in the same school
is like being in the same family.

422
00:23:52,994 --> 00:23:55,246
- You should have a stronger sense of that.
- Right!

423
00:23:55,329 --> 00:23:59,584
Still, it's also customary for Rakugoka
to call their seniors from other schools

424
00:23:59,667 --> 00:24:03,087
Ani-san or Nee-san.

425
00:24:03,171 --> 00:24:06,340
And another thing that sets us apart
from Kamigata Rakugo

426
00:24:06,424 --> 00:24:08,968
is the fact that they say
Nii-san rather than Ani-san.

427
00:24:09,051 --> 00:24:10,553
Really?

428
00:24:10,636 --> 00:24:13,639
However, that's only
up to the Futatsume rank.

429
00:24:13,723 --> 00:24:15,725
In some cases, it would be considered rude

430
00:24:15,808 --> 00:24:18,352
not to call elder fellow apprentices
promoted to Shin'uchi as "Master,"

431
00:24:18,436 --> 00:24:20,563
- so watch out.
- I'll keep that in mind!

432
00:24:20,646 --> 00:24:21,814
One more thing.

433
00:24:21,898 --> 00:24:25,443
You would call a master
from another school "Master So-and-so,"

434
00:24:25,526 --> 00:24:27,028
but when referring to your own master,

435
00:24:27,111 --> 00:24:30,781
you'd just call him "Master"
or "my master."

436
00:24:31,282 --> 00:24:34,785
If you think about the relationship
between master and apprentice being like

437
00:24:34,869 --> 00:24:36,495
a parent and child, it should make sense.

438
00:24:36,579 --> 00:24:37,580
I get it!

439
00:24:37,663 --> 00:24:40,499
I call my own father "Dad,"

440
00:24:40,583 --> 00:24:43,753
but if it's my friend's father,
I say "So-and-so's dad."

441
00:24:43,836 --> 00:24:44,962
You little fool!

442
00:24:45,046 --> 00:24:49,550
You wouldn't call someone else's father
her "dad," you'd say her "father"!

443
00:24:49,634 --> 00:24:51,469
R-Right.

