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{\an8}THE 20TH KARAKU CUP

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{\an8}SIXTH STORY
TERAKOYA

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{\an8}This year marks the 20th Student
Rakugo Competition, the Karaku Cup.

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Traditionally, the rules allowed
for students over 18

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enrolled in junior college, college,
or trade schools to take part.

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Yes. That's what I've been told.

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But at my request,

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I had them expand the entrants
to include high school students.

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It's not often that I get the chance
to see Rakugo performed by amateurs,

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more so by the younger generation.

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If possible, I wanted to see performances
by a wider range of Rakugoka.

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I asked them to humor me.

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Oh, is that right?

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Not what you expected, maybe?

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I get that a lot, you know.

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"I thought you were scarier!" And so on.

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I may not seem like it, but I'm
in the business of making people laugh.

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Come now, don't be so nervous.

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Relax, relax!

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F-Forgive me!

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All right, so why did you decide
to serve as a judge this year?

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It's the 20th anniversary event,
so it's a turning point.

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Most of all, I'd like to show the younger
generation how wonderful Rakugo can be.

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Most young people have never seen Rakugo.

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And you know, I find that quite alarming.

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I see.

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So you have a keen interest in promoting
Rakugo to the younger generation.

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Of course I do.

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Just think about it.

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A form of entertainment
that can't draw new audiences.

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Do you think it has a future?

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The world is flooded
with ways to amuse yourself.

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In order to make sure that the cultural
flames of Rakugo are never extinguished,

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{\an8}we must do whatever we can.

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Oh, right.

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I'd like to hear the younger
generation's thoughts on Rakugo today.

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Why not set up some time
for a conversation

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between myself and the winner?

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What? Do you really mean that?

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<i>Of course!</i>

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<i>All right, let's offer the winner
the chance to talk to me as a bonus.</i>

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<i>Amazing!</i>

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I see.

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You're stretching
your boundaries as usual.

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And so you're here to get permission
from the master

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to take part in this tournament.

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That's right.

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{\an8}Take my advice.

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{\an8}You should either go home,
or help me clean the yard.

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{\an8}What's with those choices?

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Well, this Karaku Cup is a competition
for amateurs, right?

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Taking part in this
is the same as telling the world,

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"I'm not a professional. I'm an amateur!"

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Not to mention,

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{\an8}I think it's an ungrateful thing.

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And you gotta talk
to Master Issho if you win, right?

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I call that torture!

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Just forget about it.

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That's what my objective is.

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Objective? To talk to Master Issho?

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What would you even talk about?

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His reason for expelling Dad.

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You...

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- Thank you.
- Huh?

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I know that you're trying
to dissuade me because you care.

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But I don't know when I'll ever
get another chance like this!

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So...

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- I'm sorry!
- H-Hey!

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<i>I know this is nothing to be proud of.</i>

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<i>Still, I don't want
to let this chance slip away!</i>

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<i>So I have to get Master to...</i>

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{\an8}I have no problems if you enter.

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A-Are you sure about that?

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Didn't I just say so?

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Besides, Guriko already said
everything I wanted to say.

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What?

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S-So you were listening?

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How could I help but overhear
those booming voices?

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Well, even if I hadn't heard you,
my answer would've been the same.

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Remember what Masaki-chan said?

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It's no use trying to stop you.

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Master.

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That said, in return for allowing you
to compete in the Karaku Cup,

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I'll be giving you one condition.

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{\an8}That's "Jugemu."

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{\an8}Win that competition with "Jugemu."

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<i>Jugemu jugemu goko-no-surikirezu...</i>

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{\an8}<i>"Jugemu."</i>

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{\an8}Something wrong? Not confident enough?

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{\an8}Uh, no, I can do it!

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{\an8}I'll win that tournament with "Jugemu"!

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{\an8}Now that that's settled,
throw yourself into practice.

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{\an8}Right!

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Please excuse me!

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KARAKU CUP

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{\an8}This is so not your style.

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You're as reckless as ever, aren't you?

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<i>The key to this story
is how many laughs you can get</i>

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<i>by repeating a single catchphrase.
In other words...</i>

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<i>He was telling me to win it
with just a right cross.</i>

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He gave you permission?

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I'm sorry about before.

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I just totally lost it.

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Hey, no.

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Well, if the master's okay with it,
then it's all good.

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Still, telling you
to perform "Jugemu" is pretty harsh.

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There are people who may not know
Rakugo, but have heard of "Jugemu."

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That's how famous it is.

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It doesn't get that many laughs
because it's so familiar.

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That's why it's hardly ever called for
as a performance.

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To be honest, it's not a story you should
be performing to win a contest.

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Still, I just told the master
that I'd win with "Jugemu."

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I'll just have to do it.

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Oh, is that right?

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Then there's no way around it, huh?

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- Come on!
- Huh? Where?

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To see Koguma Ani-san. Here!

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Koguma Ani-san? Why?

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Why are you asking?

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Koguma Ani-san is the Shiguma School's
"Terakoya," the grassroots teacher.

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I mean, he scored in the 95th percentile
and went to Tokyo University!

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Todai?

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{\an8}- And he was in Rakugo clubs, no less!
- What?

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Rakugo clubs!

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He's the perfect guy for the job, right?

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He'll be at the library
at this time of day.

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Let's go pick his brain.

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He'll be able to help you in some way.

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No, I'm not doing that.

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- Please, isn't there any way?
- Please help her out, Ani-san!

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I don't want to.

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I don't know what's happening,
but competing in an amateur competition

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{\an8}when you've been accepted
as an apprentice is just ignorant.

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Unheard of.

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Unbelievable.

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Incomprehensible.

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Um, he's nothing like I thought he'd be.

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When Ani-san speaks up,
he pulls no punches.

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- Are you listening?
- Yes! Sorry!

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In the first place,
isn't it Kyoji's job to mentor you?

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Shirking his duties. What is he thinking?

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With all due respect,

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just because he's not here,
you shouldn't drop the honorifics.

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Idiot!

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Koguma Ani-san is Kyoji Ani-san's
elder fellow apprentice!

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Huh?

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<i>Both age-wise and career-wise,
Koguma Ani-san has seniority!</i>

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AGE 29 11TH YEAR
AGE 28 9TH YEAR

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Sorry for not showing respect.

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S-Sorry, so sorry!

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It's all right. It doesn't bother me.

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Go talk to Kyoji Ani-san, why don't you?

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Please don't say that!

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Help me out, please!

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I want to win the Karaku Cup,
no matter what!

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{\an8}What do I care about...

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Please reconsider!

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Fine, then. I'll do it.

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- Huh?
- Huh?

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What are you waiting for?

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I have a Rakugo performance later.

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If you want to do this, let's go.

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I see.

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That explains it.

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Then let's start
by showing me your "Jugemu."

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Huh? Y-You mean right here?

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Well, how can I give you advice
unless I see it?

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Understood. I'll give it a shot.

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JUGEMU

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Hey, honey. What are we going to do?

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It's been seven days
since our baby was born.

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Ah, time for a memorial service?

173
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How silly of you.
It's the name-giving ceremony.

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Name-giving?

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<i>"Jugemu."</i>

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<i>Hachigoro visits the monk to consult him
on a name for his son.</i>

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<i>The monk gives Hachigoro
a list of auspicious names.</i>

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<i>And because Hachigoro stuck them
all into a single, long name,</i>

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<i>all hell breaks loose.</i>

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He hit me on the head
and now I have all these lumps!

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What's that? You're telling me
that my Jugemu jugemu

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goko-no-surikirezu
kaijari-suigyo no suigyomatsu...

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<i>The key to this story is, above all,
your enunciation.</i>

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<i>Meaning what you need to pull it off</i>

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<i>is dialogue skill.</i>

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<i>To utter long lines without stumbling,</i>

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<i>pronouncing each syllable and phrase
clearly, rhythmically, at a good tempo.</i>

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...got hit on the head?

189
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What? Our Jugemu jugemu goko-no-surikirezu
kaijari-suigyo no suigyomatsu

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00:10:02,456 --> 00:10:05,000
ungyomatsu furaimatsu kuu-neru
tokoro ni sumu tokoro

191
00:10:05,083 --> 00:10:07,044
yaburakoji no burakoji paipo-paipo-paipo...

192
00:10:07,127 --> 00:10:09,504
<i>Wait, but with this performance...</i>

193
00:10:09,588 --> 00:10:12,966
...gurindai no ponpoko-na no ponpoko-pi
no chokyumei-no-chosuke did such a thing?

194
00:10:13,050 --> 00:10:14,926
Huh? Kin-chan, let's see those lumps.

195
00:10:15,010 --> 00:10:16,219
Huh?

196
00:10:16,303 --> 00:10:18,722
What? I don't see any lumps!

197
00:10:18,805 --> 00:10:23,393
Well, his name was so long,
the lumps healed up!

198
00:10:24,978 --> 00:10:26,605
Yeah, that was amazing.

199
00:10:27,356 --> 00:10:29,983
Performing that to the end right here.

200
00:10:30,067 --> 00:10:31,109
You've got nerves of steel.

201
00:10:31,193 --> 00:10:33,320
Huh? But Ani-san, you said...

202
00:10:33,403 --> 00:10:37,240
What I meant was for you to show me
a video of you practicing.

203
00:10:37,324 --> 00:10:39,826
You suddenly launched into it,
so I was taken aback.

204
00:10:39,910 --> 00:10:42,788
Then you should've stopped me!
So embarrassing!

205
00:10:43,372 --> 00:10:44,706
What did you think?

206
00:10:44,790 --> 00:10:46,208
To be honest,
if she's going up against students...

207
00:10:46,291 --> 00:10:47,125
That's naïve.

208
00:10:48,335 --> 00:10:50,879
"Jugemu" is a basic Rakugo story.

209
00:10:50,962 --> 00:10:53,507
It's for Rakugo beginners to learn.

210
00:10:53,590 --> 00:10:57,469
<i>And most of the Karaku Cup
audience are, like the participants,</i>

211
00:10:57,552 --> 00:11:01,473
<i>members of Rakugo clubs at college
or high school, so they know Rakugo.</i>

212
00:11:01,556 --> 00:11:02,474
<i>In other words...</i>

213
00:11:03,100 --> 00:11:05,977
<i>most of the audience can perform "Jugemu."</i>

214
00:11:06,061 --> 00:11:09,898
<i>They've learned "Jugemu" by listening
to the masters, so they're discerning.</i>

215
00:11:09,981 --> 00:11:12,984
<i>It won't be easy to get laughs
from an audience like that.</i>

216
00:11:13,568 --> 00:11:15,153
{\an8}And one more thing.

217
00:11:15,237 --> 00:11:19,533
{\an8}At the Karaku Cup, you'll be judged twice,
in the preliminary round and the final.

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00:11:19,616 --> 00:11:20,325
DOCUMENT SCREENING

219
00:11:20,409 --> 00:11:22,744
<i>Though there'll only be
professional judges in the final,</i>

220
00:11:22,828 --> 00:11:25,539
<i>most of the audience
will be the same people.</i>

221
00:11:25,622 --> 00:11:29,000
<i>Needless to say, the other participants
will change their stories between rounds.</i>

222
00:11:29,793 --> 00:11:32,045
But if you were told to win with "Jugemu,"

223
00:11:32,129 --> 00:11:34,381
that means you'll be performing that
for both, right?

224
00:11:34,464 --> 00:11:35,340
Right.

225
00:11:35,424 --> 00:11:37,843
You're already at a disadvantage
with "Jugemu,"

226
00:11:37,926 --> 00:11:40,846
and now you have to perform the same
story in the preliminary and final rounds.

227
00:11:40,929 --> 00:11:43,765
By the second time, the audience's
reaction will be more lackluster,

228
00:11:43,849 --> 00:11:45,976
and that will affect the judging.

229
00:11:46,685 --> 00:11:50,147
If you want to win the Karaku Cup, you'll
need to perform a story that's difficult

230
00:11:50,230 --> 00:11:52,524
or a story where you can
add playful touches.

231
00:11:52,607 --> 00:11:53,859
"Jugemu" is not suited for that.

232
00:11:53,942 --> 00:12:00,198
But knowing the master, I'm sure
he chose "Jugemu" for a reason.

233
00:12:00,699 --> 00:12:03,076
But you're right, it's going to be tough.

234
00:12:03,160 --> 00:12:06,246
What should I do?
Will it help to polish my enunciation?

235
00:12:06,997 --> 00:12:10,041
Look, do you know
the original ending for "Jugemu"?

236
00:12:10,125 --> 00:12:13,170
What? It's not the one I just performed?

237
00:12:13,253 --> 00:12:16,047
No. In the original ending...

238
00:12:16,590 --> 00:12:18,008
Jugemu dies.

239
00:12:22,012 --> 00:12:23,138
When Jugemu grows up,

240
00:12:23,221 --> 00:12:26,141
he and his friend
fall into a river, and drown.

241
00:12:27,267 --> 00:12:29,519
<i>His friend was able
to call for help right away,</i>

242
00:12:29,603 --> 00:12:31,688
<i>but because Jugemu's name was too long,</i>

243
00:12:31,771 --> 00:12:34,941
it took him too much time
to call out, and he perished.

244
00:12:36,359 --> 00:12:37,819
Hoping for his happiness,

245
00:12:37,903 --> 00:12:39,988
the name his parents chose
ended up killing him.

246
00:12:40,697 --> 00:12:44,659
It's a story laden with irony about, "How
you can have too much of a good thing."

247
00:12:44,743 --> 00:12:46,453
I never knew that.

248
00:12:46,536 --> 00:12:47,913
You don't study enough.

249
00:12:48,622 --> 00:12:50,707
Aren't you interested in the stories?

250
00:12:50,790 --> 00:12:52,667
Don't you want to understand them better?

251
00:12:52,751 --> 00:12:53,752
Well, I...

252
00:12:53,835 --> 00:12:56,838
It struck me just now,
listening to your Rakugo.

253
00:12:56,922 --> 00:12:59,925
Your enunciation is still just sounds.

254
00:13:00,008 --> 00:13:01,801
They're not words yet.

255
00:13:01,885 --> 00:13:03,845
That's it for my advice.

256
00:13:04,346 --> 00:13:06,932
Now you need to brood
and think over it yourself.

257
00:13:07,015 --> 00:13:09,267
"Study hard and often,
lest it slip through your fingers."

258
00:13:09,976 --> 00:13:11,853
- Excuse me.
- What?

259
00:13:11,937 --> 00:13:13,480
I'm sorry.

260
00:13:13,563 --> 00:13:15,398
I'm really grateful for your help,

261
00:13:15,482 --> 00:13:19,486
but I was wondering why you did this
for me when you really didn't want to?

262
00:13:22,072 --> 00:13:24,449
You sure study hard, Koguma.

263
00:13:28,954 --> 00:13:30,080
It's fine.

264
00:13:30,163 --> 00:13:33,124
It seems like I'm the type
to hold a grudge after all.

265
00:13:34,918 --> 00:13:36,127
Okay, I'm going now.

266
00:13:36,211 --> 00:13:37,796
From this point on, do as you will.

267
00:13:37,879 --> 00:13:40,465
Sorry about this, Ani-san. Thank you!

268
00:13:40,549 --> 00:13:41,633
Wait.

269
00:13:42,300 --> 00:13:45,679
Sorry, I have one more request.

270
00:13:49,558 --> 00:13:53,186
I didn't think you'd ask Ani-san
to let you study his Rakugo.

271
00:13:53,270 --> 00:13:55,730
Well, it really bothers me.

272
00:13:55,814 --> 00:13:58,233
What did he mean, they're not words yet?

273
00:13:58,316 --> 00:14:00,527
I just don't have a clue yet.

274
00:14:00,610 --> 00:14:03,446
And that's why you want
to watch and learn, right?

275
00:14:03,530 --> 00:14:05,448
You really are predictable.

276
00:14:05,532 --> 00:14:06,491
Is that wrong?

277
00:14:06,575 --> 00:14:08,994
No, it's absolutely right.

278
00:14:09,077 --> 00:14:14,249
The only Rakugoka I know who researches
stories like that is Koguma Ani-san.

279
00:14:15,375 --> 00:14:19,045
You'll learn from his performance,
and you'll see that Koguma Ani-san...

280
00:14:23,300 --> 00:14:25,719
...is a totally different person onstage.

281
00:14:30,015 --> 00:14:33,935
KOGUMA ARAKAWA

282
00:14:36,271 --> 00:14:39,608
{\an8}Welcome. Thank you for joining me tonight.

283
00:14:39,691 --> 00:14:41,318
<i>That's Koguma Ani-san?</i>

284
00:14:41,902 --> 00:14:43,862
<i>He's like a totally different person!</i>

285
00:14:43,945 --> 00:14:47,282
"To be a Zenza is to be less than human."

286
00:14:47,365 --> 00:14:50,744
In this day and age,
that's a rather anachronistic to say.

287
00:14:50,827 --> 00:14:55,832
But becoming a fully-fledged Rakugo
performer requires training that rigorous.

288
00:14:55,916 --> 00:14:59,336
And it was even harsher in the past.

289
00:14:59,419 --> 00:15:04,007
Back in the Edo period, there was
a Rakugoka named Karaku Sanshotei.

290
00:15:04,090 --> 00:15:07,719
{\an8}He's known as the earliest
professional Rakugoka.

291
00:15:07,802 --> 00:15:11,598
Now at the time,
Karaku was extremely popular.

292
00:15:11,681 --> 00:15:13,558
The Karaku Cup is named after him.

293
00:15:13,642 --> 00:15:14,768
Didn't you know that?

294
00:15:14,851 --> 00:15:16,978
Yes, I did.

295
00:15:17,062 --> 00:15:18,647
What kind of story is this?

296
00:15:19,230 --> 00:15:22,651
This is a story called "Foxes of Imado."

297
00:15:22,734 --> 00:15:24,069
FOXES OF IMADO

298
00:15:24,152 --> 00:15:26,196
<i>"Foxes of Imado."</i>

299
00:15:26,279 --> 00:15:29,032
<i>Through Karaku Sanshotei's apprentice,
the Zenza, Ryosuke,</i>

300
00:15:29,115 --> 00:15:31,743
<i>describes the performances
of customs from the Edo Period,</i>

301
00:15:31,826 --> 00:15:34,955
<i>as well as a commotion that arises
due to the harshness of training.</i>

302
00:15:35,038 --> 00:15:35,747
FIRST GENERATION
KARAKU SANSHOTEI

303
00:15:35,830 --> 00:15:37,040
<i>Oh, really?</i>

304
00:15:37,624 --> 00:15:40,251
{\an8}- Make sure you listen up.
- They worried about it.

305
00:15:40,335 --> 00:15:43,505
At the time, Zenza received no salary.

306
00:15:43,588 --> 00:15:45,924
But you had to take pride in being
an entertainer back then,

307
00:15:46,007 --> 00:15:48,301
so it was strictly forbidden
to have any side jobs.

308
00:15:48,885 --> 00:15:50,053
<i>The only money a Zenza made</i>

309
00:15:50,136 --> 00:15:53,056
was from selling lots for prizes
at Rakugo performances.

310
00:15:53,139 --> 00:15:57,477
The prizes were Kinkato,
candies made of just sugar and water.

311
00:15:58,144 --> 00:16:00,897
He's performing this story
because of what he just told you.

312
00:16:00,981 --> 00:16:04,401
Ani-san's probably trying
to tell you something.

313
00:16:04,484 --> 00:16:07,153
Many took on side jobs
behind their masters' backs,

314
00:16:07,237 --> 00:16:09,322
and Ryosuke was one of them.

315
00:16:09,406 --> 00:16:12,993
Ryosuke lived in Imado, in Taito Ward.

316
00:16:13,076 --> 00:16:14,995
<i>What an unusual story.</i>

317
00:16:15,662 --> 00:16:20,041
<i>In Rakugo, the story normally advances
through the characters' conversations.</i>

318
00:16:20,125 --> 00:16:23,003
<i>But this story
is being driven by narration.</i>

319
00:16:23,586 --> 00:16:26,965
It was the wife of a neighbor
across the street who told him

320
00:16:27,048 --> 00:16:28,633
about a side job painting these foxes.

321
00:16:29,217 --> 00:16:32,637
This wife was a former courtesan
from Senju, and quite attractive.

322
00:16:32,721 --> 00:16:35,724
Because she was from Kotsukappara,
a former execution site,

323
00:16:35,807 --> 00:16:38,727
- Senju was called "Kotsu" at the time.
<i>- That's why, compared to other stories,</i>

324
00:16:38,810 --> 00:16:41,646
<i>there aren't many "humorous exchanges"
that're typical of Rakugo.</i>

325
00:16:41,730 --> 00:16:42,564
She was the wife,

326
00:16:42,647 --> 00:16:45,567
- or "sai," from Kotsu, the "Kotsu-no-Sai,"
<i>- Still, it's well worth the listen.</i>

327
00:16:46,067 --> 00:16:49,154
Now, after the performances,
the Zenza would gather,

328
00:16:49,237 --> 00:16:52,198
and start counting their revenue
from the lots, cha-ching, cha-ching.

329
00:16:52,282 --> 00:16:55,618
And a yakuza happened to pass by,
and thought to himself,

330
00:16:55,702 --> 00:16:59,831
"Aha! Karaku's apprentices are gambling!"

331
00:16:59,914 --> 00:17:01,916
It was a misunderstanding.

332
00:17:02,000 --> 00:17:05,170
At the time, gambling with dice
was very popular in Edo.

333
00:17:05,253 --> 00:17:09,174
<i>The more I listen, the more I discover
things I'd never known before.</i>

334
00:17:09,257 --> 00:17:12,177
<i>The world inside the Rakugo story expands.</i>

335
00:17:12,260 --> 00:17:14,179
Kitsune, a game using three dice.

336
00:17:16,097 --> 00:17:17,849
<i>How entertaining knowledge can be.</i>

337
00:17:17,932 --> 00:17:20,518
<i>I never knew that Rakugo
could be entertaining in this way!</i>

338
00:17:20,602 --> 00:17:25,315
The dice, or "sai," used in gambling
were often made of deer bone.

339
00:17:25,398 --> 00:17:28,735
They were known as "Kotsu-no-Sai."

340
00:17:28,818 --> 00:17:30,653
This is awesome.

341
00:17:30,737 --> 00:17:34,032
This kind of historical story
is hard to memorize,

342
00:17:34,115 --> 00:17:36,159
and I bet you'd have to do
tons of research to pull it off.

343
00:17:36,242 --> 00:17:39,079
That's not only true for this story.

344
00:17:39,162 --> 00:17:40,038
What?

345
00:17:40,663 --> 00:17:44,042
{\an8}<i>Koguma Ani-san always does a deep dive
into the historical background,</i>

346
00:17:44,125 --> 00:17:48,505
{\an8}<i>the customs, and even the settings
of the stories he performs.</i>

347
00:17:48,588 --> 00:17:49,964
Why would he do that?

348
00:17:50,048 --> 00:17:51,758
It's probably in his nature.

349
00:17:51,841 --> 00:17:53,468
He was always a pretty negative person.

350
00:17:54,094 --> 00:17:56,096
He said that unless he did his homework,

351
00:17:56,179 --> 00:17:58,598
he'd be too uncomfortable to perform
with confidence.

352
00:17:59,641 --> 00:18:01,059
But the biggest reason is...

353
00:18:01,559 --> 00:18:04,771
By digging into the stories,
I can understand them better.

354
00:18:04,854 --> 00:18:08,733
I might even find a way
to make them more entertaining.

355
00:18:09,400 --> 00:18:11,694
Give me a reason
why you wouldn't research.

356
00:18:12,821 --> 00:18:16,157
Using the knowledge he consumed
voraciously to enhance his stories.

357
00:18:16,241 --> 00:18:19,953
That's the Rakugo style
of Koguma Arakawa, the "Terakoya."

358
00:18:22,664 --> 00:18:24,541
So you're Ryosuke, huh?

359
00:18:24,624 --> 00:18:28,545
{\an8}Listen, I hear
you're secretly getting foxes.

360
00:18:28,628 --> 00:18:29,796
So where are they?

361
00:18:29,879 --> 00:18:32,674
Oh, uh, the ones I finished
are in that cupboard.

362
00:18:32,757 --> 00:18:34,509
Cupboard?

363
00:18:35,468 --> 00:18:36,678
What the hell are these?

364
00:18:36,761 --> 00:18:37,679
Um, they're foxes.

365
00:18:37,762 --> 00:18:40,723
I don't mean these!
I'm talking about Kotsu-no-sai!

366
00:18:40,807 --> 00:18:46,062
Oh, Kotsu-no-sai is the neighbor's wife
across the street.

367
00:19:02,036 --> 00:19:02,871
Koguma.

368
00:19:03,454 --> 00:19:05,165
Why don't you pull back your bangs?

369
00:19:05,248 --> 00:19:06,082
What?

370
00:19:11,171 --> 00:19:12,672
"Foxes of Imado."

371
00:19:12,755 --> 00:19:15,341
You sure picked
an unusual story to perform.

372
00:19:15,425 --> 00:19:17,635
I'd never seen it before.

373
00:19:18,386 --> 00:19:21,139
Not really. I was just setting an example.

374
00:19:22,140 --> 00:19:23,933
<i>I wonder if she got it.</i>

375
00:19:24,976 --> 00:19:28,313
<i>There are lots of things you can use
in Rakugo if you learn about them.</i>

376
00:19:28,396 --> 00:19:31,316
<i>But that depends on how much you want it.</i>

377
00:19:32,108 --> 00:19:34,569
<i>Now then, let's see what happens.</i>

378
00:19:36,946 --> 00:19:38,990
So you're competing in the Karaku Cup.

379
00:19:39,073 --> 00:19:42,619
All right, then I'll fill out
all the paperwork.

380
00:19:42,702 --> 00:19:45,079
Iwashimizu-sensei, you'd do that for me?

381
00:19:45,163 --> 00:19:46,664
It's not for you.

382
00:19:46,748 --> 00:19:50,293
The school should have
a good grasp of who's entering.

383
00:19:50,376 --> 00:19:52,045
Sure, of course!

384
00:19:52,128 --> 00:19:54,589
Oh, one more thing.

385
00:19:54,672 --> 00:19:57,592
Are there any books about the Edo Period
that you'd recommend?

386
00:19:57,675 --> 00:20:00,428
Books? May I ask why?

387
00:20:00,511 --> 00:20:04,682
I'm not sure how I can make use of it yet.

388
00:20:04,766 --> 00:20:09,020
But I can't move forward unless I learn.

389
00:20:09,103 --> 00:20:10,396
That's just a feeling I have.

390
00:20:12,899 --> 00:20:15,526
I have no idea
what you're trying to tell me.

391
00:20:15,610 --> 00:20:17,153
Sorry.

392
00:20:17,237 --> 00:20:19,822
But being fond of books,
I'm an avid reader myself.

393
00:20:19,906 --> 00:20:20,990
As for what to recommend...

394
00:20:21,074 --> 00:20:23,117
Just one would be fine!

395
00:20:23,618 --> 00:20:25,495
I can't narrow it down,
there are too many.

396
00:20:25,578 --> 00:20:28,206
Would a historical volume do?

397
00:20:28,289 --> 00:20:31,334
{\an8}But the novels of Shugoro Yamamoto
are a must.

398
00:20:31,417 --> 00:20:33,169
{\an8}No, an illustrated reference and a book
on dietary habits

399
00:20:33,253 --> 00:20:35,672
- would be intriguing.
- No, really, one book will do.

400
00:20:35,755 --> 00:20:38,049
It's no use racking my brain.

401
00:20:38,132 --> 00:20:39,217
Let's head to the library.

402
00:20:39,300 --> 00:20:41,636
- Huh?
- What are you standing there for? Hurry.

403
00:20:42,679 --> 00:20:45,890
Wow, compared to last year, there are
triple the amount of applications!

404
00:20:46,516 --> 00:20:49,769
Not only that, but we're being flooded
with requests from all the media outlets.

405
00:20:49,852 --> 00:20:52,355
This year's Karaku Cup is unbelievable!

406
00:20:52,438 --> 00:20:54,649
{\an8}Really, who knew
it would blow up like this?

407
00:20:54,732 --> 00:20:56,567
{\an8}It's pandemonium day in and day out!

408
00:20:56,651 --> 00:20:58,653
{\an8}Hey, pandemonium's a good thing!

409
00:20:59,362 --> 00:21:01,281
{\an8}Let's hope the hype keeps building up...

410
00:21:01,364 --> 00:21:03,825
{\an8}...and maybe a super rookie
carrying the hopes

411
00:21:03,908 --> 00:21:05,910
{\an8}of the Rakugo industry
could arrive on the scene.

412
00:21:05,994 --> 00:21:08,246
You really like to say that, don't you?

413
00:21:08,329 --> 00:21:10,623
Oh, yes, and I'll repeat it over and over.

414
00:21:10,707 --> 00:21:14,752
{\an8}You see, I believe that it's possible
to start a movement to elevate Rakugo

415
00:21:14,836 --> 00:21:18,881
{\an8}to equal heights as the current
manzai and comedy sketch booms.

416
00:21:18,965 --> 00:21:22,302
And it's always young talent
who creates booms!

417
00:21:22,385 --> 00:21:24,095
There you go again.

418
00:21:24,178 --> 00:21:27,140
In that sense, this year's Karaku Cup

419
00:21:27,223 --> 00:21:28,891
is something
I'm really looking forward to.

420
00:21:29,892 --> 00:21:34,230
{\an8}<i>Issho Arakawa, the undisputed
best of his generation,</i>

421
00:21:34,314 --> 00:21:36,441
<i>leading a lineup of top-tier judges.</i>

422
00:21:37,233 --> 00:21:40,486
<i>The up-and-coming Futatsume,
Kaisei Arakawa, as the emcee.</i>

423
00:21:40,570 --> 00:21:43,990
Then three times as many diamonds-
in-the-rough are set to gather here.

424
00:21:44,073 --> 00:21:46,576
With all that, don't tell me
that nothing will happen!

425
00:21:48,661 --> 00:21:53,041
Jugemu jugemu goko-no-surikirezu
kaijari-suigyo no suigyomatsu

426
00:21:53,124 --> 00:21:54,792
ungyomatsu furaimatsu kuu-neru...

427
00:21:54,876 --> 00:21:56,794
<i>Mark my words.</i>

428
00:21:57,378 --> 00:22:01,132
<i>This year's Karaku Cup
is going to be special!</i>

429
00:23:36,435 --> 00:23:37,979
NEXT EPISODE
KARAKU CUP

430
00:23:38,855 --> 00:23:40,815
<i>Akane Small Talk!</i>

431
00:23:44,277 --> 00:23:47,155
Do you know when and how Rakugo started?

432
00:23:47,238 --> 00:23:48,239
No!

433
00:23:48,322 --> 00:23:50,867
From the Muromachi Period
to the early Edo Period,

434
00:23:50,950 --> 00:23:52,994
there were attendants called "Otogishu,"

435
00:23:53,077 --> 00:23:55,496
employed by shoguns and daimyo
as storytellers.

436
00:23:55,580 --> 00:24:00,668
One of them was the monk of Seiganji
in Kyoto, Anrakuan Sakuden.

437
00:24:00,751 --> 00:24:02,962
- Have you heard of him?
- No.

438
00:24:03,045 --> 00:24:07,216
It's said that Sakuden compiled
comical tales told by the "Otogishu,"

439
00:24:07,300 --> 00:24:09,802
and Rakugo's origins
can be traced back to that book.

440
00:24:09,886 --> 00:24:11,762
Do you know who the first Rakugoka was?

441
00:24:12,763 --> 00:24:14,056
No.

442
00:24:14,140 --> 00:24:15,516
A man named Tsuyu-no-Gorobei

443
00:24:15,600 --> 00:24:19,061
would tell Tsuji-banashi, or crossroad
stories, in Kyoto during the Edo Period.

444
00:24:19,145 --> 00:24:21,397
This Tsuyu-no-Gorobei is called
the founder of Kamigata Rakugo.

445
00:24:21,480 --> 00:24:23,941
{\an8}At around the same time,
Buzaemon Shikano in Edo,

446
00:24:24,025 --> 00:24:27,737
{\an8}and Hikohachi Yonezawa in Osaka
were making names for themselves.

447
00:24:27,820 --> 00:24:30,114
{\an8}Huh? What's the matter?

448
00:24:30,198 --> 00:24:34,327
{\an8}Oh, it's just that
I haven't said anything but "No" today.

449
00:24:35,119 --> 00:24:36,704
Is that a problem?

450
00:24:37,747 --> 00:24:38,706
No.

