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EARLY 20TH CENTURY
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Oh!
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Ah! Oh!
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- Oh, look, Mother, a seagull!
- Oh!
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Yes, my darling.
We must be very close to land.
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There it is. That is England.
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LONDON, ENGLAND
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- Oh, nice to see you, young man!
- Hello!
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LOVE THROUGH A PRISM
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{\an8}#01/BLACK BREAD AND IRIDESCENT HOPE
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Finally, I have arrived!
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Lili-san, it was such a pleasure
travelling with you.
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Like us, you must be tired
after such a long voyage.
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Ah, Mrs Suzuki.
It was lovely to meet you both.
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Thank you for all that you did
for me during... Whoa!
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Oh!
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Are you all right, Lili-san?
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Yes, I'm fine! I'm just not used
to so much hustle and bustle.
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I mean, I just had no idea
that London was going to be this lively.
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It's so exciting.
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Yes, there's going to be a parade
to celebrate the late queen's birthday,
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so it's much busier than usual.
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A country
that was ruled by a woman...
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Take care, Lili-san.
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Good luck, my dear!
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Thank you, both of you!
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Well, now. Uh, first I...
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Hmm, I don't understand.
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I thought that I would be able
to find it straight away.
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I should've at least asked someone
to draw me a map.
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- Uh, excuse me.
- Huh?
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Well then, little miss, what do you want?
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N-- Nothing. Sorry to bother you.
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Humph. Tsk.
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Everyone here is extremely tall.
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I'm considered to be pretty tall in Japan,
but not so here.
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Hm. I am not going to let this get to me!
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... Uh, um...
- No, I'm in a hurry.
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So, anyway, he was such a bore.
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- Excuse me! Uh--
- Humph.
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Ah, uh, excuse me...
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- How can I help you, lady?
- Sorry, my mistake!
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I... I cannot seem to find it.
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What on earth shall I do?
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Huh?
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No! No! Huh?
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W-- W-- Wait! Come on.
Stop right there!
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Don't go!
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I should know better.
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That was the one piece
of paper I really needed.
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What do I do now?
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Well, at least I remember the name
of the place where I'm staying,
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so I know where I'm going to.
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But I really have no idea where I am now.
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Why does this kind of thing
always keep on happening to me?
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Hmm?
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Oh.
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So fast...
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Hmm?
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- What is it?
- Uh...
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Uh, sorry to bother you.
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I didn't mean
to creep up on you like that.
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Well, I did, but can you help?
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I've just arrived and I'm lost.
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I am looking for a carriage
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that can take me
to Saint Thomas Art Academy.
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Uh, um, can you...
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Humph! Hello! I'm talking to you!
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Oh.
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Huh?
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Uh...
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Do you want some?
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Are you kidding me?
You rubbed out your sketch with that!
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Ugh!
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W-- Wait.
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Suit yourself.
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You are not as hungry
as you sound, I suppose.
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Sorry for bothering you! Humph!
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Who would do such a thing?
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Offering someone bread
covered in charcoal.
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- How rude can one person be? Huh?
- Two streets down, turn left.
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Keep going down the street
until you get to Alex & Son.
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It's right there.
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Oh... Thank you very much.
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- At last, this is Alex & Son.
- I say, miss?
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Huh?
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Are you Miss Lili Ichijoin?
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Oh, yes!
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Thank goodness!
Welcome to our great capital!
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I was getting a bit worried
that you may have got lost!
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I'm so sorry for being late!
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Don't you worry, miss.
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Goodness!
That building over there is beautiful!
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Oh, and I can see
a giant clock tower as well!
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So is this is your first time in London?
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Yes! Everything here is
completely new to me!
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- You like it then, miss?
- Oh yes!
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It's a lovely day, and we've got time.
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Do you fancy some sightseeing, miss?
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Oh, yes, please!
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Wait for me!
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I'm here... really here.
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Father, Mother,
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I managed to arrive safely.
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At last, I'm in London!
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Welcome to Saint Thomas Art Academy,
Lili Ichijoin.
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You, Lili, are most fortunate to be here.
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Charles Brant is my name.
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N-- Nice to meet you!
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You will address me as sir!
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Yes, sir!
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As you may know,
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this prestigious and revered art school
has been attended throughout history
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by royalty and aristocrats.
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Here,
we not only teach technical skills,
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but we refine each student's ability
to express themselves,
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aiming to produce artists
who will succeed worldwide.
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Whilst you are a student here,
you are representing Japan,
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so devote yourself fully to your work!
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Y-- Yes! I will do my best, sir.
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Thank you for your
thorough explanation, Professor Brant.
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Now, Mr Hayashi has been
in touch with me, Lili.
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He requested that we take care of you.
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You're very talented, so he tells me.
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He spoke very highly of you.
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He said that you are worth investing in,
even at the expense of national funds.
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Rest assured, Lili, we will provide you
with the utmost support
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to ensure that your talents flourish.
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Thank you very much, sir.
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But! Headmaster!
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This academy of ours is not
a very easy place to survive in.
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Your talent means nothing.
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What truly matters here, girl,
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is whether or not your art has the power
and vision to change the world...
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Excuse me!
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Hello. I thought
the new student might need a guided tour.
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- Have you read the Scottish Play?
- Oh, not now, sir! Not again!
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Hmm? You there, Brown.
I am still talking, girl.
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Professor Brant!
We've got important things to do!
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Let's get going. Come on.
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"The labour we delight in--" Hey, Brown!
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Wait there, Brown!
Always in a hurry, that girl.
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We were just talking
about the Scottish Play.
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There's a very profound quote
in there that is extremely apt.
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"The labour we delight in physics pain."
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It's about the importance of effort.
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Phew, that was a close shave.
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Brant can go on for hours once he starts
wittering on about Shakespeare.
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Uh, um, are you sure that was all right?
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We left while the professor
was still talking.
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Oh, don't worry about it!
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If we stuck around, we'd be there all day.
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Oh! I haven't introduced myself yet.
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My name is Dorothea Brown,
and I'm from the Cotswolds,
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but Dorothy will be just fine.
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Lili Ichijoin.
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Nice to meet you, Dorothy.
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Ah! I have never met anyone
from Japan before!
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Listen, if you don't understand,
please just ask me.
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- Thank you, Dorothy.
- Right then. Come on!
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There is simply so much to show you!
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This floor is
where the sculpture department is.
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And up on the second floor,
you'll find the stained glass department.
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It's enormous, like a castle.
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Yes, but it's more special than a castle.
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This academy is simply unique,
you know, Lili.
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Rich and poor, men and women,
everyone studies all together here.
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That's pretty unusual, you know.
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Wonderful.
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Our founder had a bold vision.
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That the art world should be equal
and accessible for everyone,
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and that art's a universal language.
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You see?
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Very admirable, isn't it?
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And that's great for us women.
We can step forward in this brave new era!
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I gather you're an oil painter, Lili?
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Yes! I still can't believe
I get to study here.
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I will not waste my chance at the academy!
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That's the spirit, my girl.
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And the real challenge
for us starts right now.
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Oh.
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There's so much to do,
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from drawing exercises
and foundation classes
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to joint lessons with other departments.
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But the hardest part are
the critique sessions.
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I absolutely hate critique.
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I'm beginning to feel really nervous.
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You'll be just fine.
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- Let's keep going.
- Huh?
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All right! Ready!
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This is the gallery.
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It houses our most valuable works,
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not only from England,
but masterpieces from around the world.
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So many paintings.
I've never seen so many.
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Incredible, isn't it?
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It's just us here today
because it's closed to the public,
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but usually it's packed with crowds
of people admiring the artwork.
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What are these ones?
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Ah, now these are the best pieces
from the critique sessions.
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The finest works that we students
produce are displayed here.
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And these ones, Lili, are the top three.
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The top three?
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"Kit Church."
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Incredible.
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Kit's a true genius.
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There's a rumour that he already has
a number of patrons supporting him.
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He's almost always first.
He's the number one student in our year.
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The number one student.
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Never you mind Kit Church!
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Hey, you have to tell me!
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I've been dying to know since I heard
you were coming here from Japan.
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You do have one.
I know you do. A shuriken?
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00:15:54,265 --> 00:15:58,353
Tell me now. You're a samurai, aren't you?
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00:15:58,436 --> 00:15:59,437
Huh?
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00:15:59,521 --> 00:16:04,109
I know all about it!
That every Japanese person is a samurai!
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00:16:04,192 --> 00:16:07,570
Your shuriken is hidden
in your kimono, isn't it?
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00:16:07,654 --> 00:16:10,198
Ah! That's so exotic!
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00:16:10,281 --> 00:16:13,702
Wait a second, Dorothy!
I think there's been a misunderstanding!
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00:16:13,785 --> 00:16:16,121
First of all, I am not a samurai!
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Listen, Lili!
I swear that I won't tell anyone.
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I know very well that you're supposed
to commit hara-kiri when you're found out.
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00:16:23,503 --> 00:16:25,588
Uh! "Hara-kiri?"
223
00:16:25,672 --> 00:16:28,008
Come on, show me the blade.
224
00:16:28,091 --> 00:16:31,177
Oh, Dorothy! There you are!
225
00:16:31,761 --> 00:16:34,347
I have a quick question
about tomorrow's assignment.
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00:16:34,431 --> 00:16:38,101
- Do you have a moment?
- Oh, sure. I'll be right there.
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00:16:38,893 --> 00:16:42,188
All right, Lili,
we'll talk more later! Huh?
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00:16:42,772 --> 00:16:43,773
Lili?
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00:16:50,321 --> 00:16:52,615
That was exhausting.
230
00:16:52,699 --> 00:16:56,369
Do people really think
of Japanese people like that?
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00:16:58,705 --> 00:16:59,706
Huh?
232
00:17:23,104 --> 00:17:26,232
Listen, Lili, pay attention.
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What is the highest mountain in Japan?
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Mount Fuji, Mother.
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And the second highest?
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- Uh...
- Tell me.
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00:17:35,325 --> 00:17:38,119
I... I don't know. Sorry.
238
00:17:38,203 --> 00:17:41,539
Now,
what is the longest river in Japan?
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00:17:41,623 --> 00:17:44,459
Uh, I know! It's the Shinano River.
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- And the second longest?
- The second?
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00:17:48,838 --> 00:17:51,549
I don't know, Mother.
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Being number one means being the best.
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It means you will be remembered
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and throughout history,
you will be etched into peoples minds.
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Being second doesn't count. It's nothing.
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00:18:04,687 --> 00:18:07,440
No one remembers who came second.
247
00:18:08,525 --> 00:18:13,571
So, I will reluctantly let you go
to England since you insist.
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But there is one condition.
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You have six months to prove yourself.
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If at the end of six months
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you are not the number one student
at Saint Thomas Art Academy,
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you will return home, marry,
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and take over
the Ichijoin Kimono boutique.
254
00:18:34,008 --> 00:18:37,053
And you will never mention your art again.
255
00:18:37,137 --> 00:18:38,805
Come on now, be reasonable.
256
00:18:38,888 --> 00:18:41,599
- It is her life after all, my dear.
- Will you be quiet!
257
00:18:41,683 --> 00:18:43,434
So sorry! So sorry!
258
00:18:45,103 --> 00:18:46,688
So, Lili, my daughter,
259
00:18:47,438 --> 00:18:49,899
do you understand the condition I've set?
260
00:18:49,983 --> 00:18:52,443
What? Six months?
261
00:18:52,527 --> 00:18:55,321
Six months only to prove yourself
262
00:18:55,405 --> 00:18:58,449
and to become
the number one student at the academy.
263
00:18:59,242 --> 00:19:01,995
If you can do that, I'll let you stay on.
264
00:19:02,078 --> 00:19:05,832
Anything less and you will come home
to work here in the boutique.
265
00:19:05,915 --> 00:19:07,959
Agreed?
266
00:19:08,751 --> 00:19:13,214
He's almost always first.
He's the number one student in our year.
267
00:19:15,925 --> 00:19:17,677
Six months...
268
00:19:26,060 --> 00:19:27,187
Huh?
269
00:19:31,858 --> 00:19:34,194
Hmm? Hm?
270
00:19:41,784 --> 00:19:46,164
What? Huh? M-- My luggage!
271
00:19:46,748 --> 00:19:48,666
Oi! What are you doing?
272
00:19:48,750 --> 00:19:52,295
Hey!
This case is mine, all right?
273
00:19:54,088 --> 00:19:54,923
Huh?
274
00:19:56,925 --> 00:19:58,635
What is this fabric?
275
00:19:59,135 --> 00:20:00,303
What on earth is it for?
276
00:20:00,386 --> 00:20:04,265
How dare you?
That is none of your business!
277
00:20:04,891 --> 00:20:08,061
Hey! What's all the commotion?
278
00:20:08,144 --> 00:20:11,397
What on earth's going on?
I heard a crazy scream.
279
00:20:12,148 --> 00:20:14,776
This boy was going
through my underwear!
280
00:20:14,859 --> 00:20:16,152
Is this true, Kit?
281
00:20:16,236 --> 00:20:19,572
You need to stop this bad habit
of going through people's stuff!
282
00:20:19,656 --> 00:20:21,157
Huh?
283
00:20:24,118 --> 00:20:25,328
K-- Kit?
284
00:20:35,922 --> 00:20:38,216
Lili, let me introduce you to
285
00:20:38,299 --> 00:20:42,220
the number one student
at the academy, Kit Church.
286
00:20:42,303 --> 00:20:46,432
What the blazes, Kit?
That is simply no way to treat a lady.
287
00:20:46,516 --> 00:20:50,353
I called her name twice.
But even so, I couldn't wake her up.
288
00:20:50,436 --> 00:20:53,356
That's still no excuse
to go through her luggage.
289
00:20:53,439 --> 00:20:56,067
And where the hell were you during class?
290
00:20:56,150 --> 00:20:57,235
The docks.
291
00:20:57,902 --> 00:20:59,487
Wait, the docks?
292
00:21:01,406 --> 00:21:05,994
The boy at the docks
who was eating black bread!
293
00:21:06,077 --> 00:21:07,078
- Ugh!
- Ugh!
294
00:21:07,704 --> 00:21:10,123
Not again.
295
00:21:10,206 --> 00:21:13,501
Kit, that stuff's so bad for you.
You must stop eating it.
296
00:21:13,584 --> 00:21:15,878
There's no harm in eating it.
297
00:21:15,962 --> 00:21:17,505
Oh, Kit.
298
00:21:19,382 --> 00:21:20,425
The docks again?
299
00:21:21,009 --> 00:21:23,970
You look even filthier than usual today.
300
00:21:24,053 --> 00:21:26,681
He tried to jump into the Thames
last time he was there!
301
00:21:27,515 --> 00:21:29,309
What the blazes
were you thinking?
302
00:21:29,392 --> 00:21:31,811
A seagull took the bread
he was using as an eraser,
303
00:21:31,894 --> 00:21:33,479
so he tried to chase after it.
304
00:21:33,563 --> 00:21:36,107
He's as strange as ever.
305
00:21:36,190 --> 00:21:37,567
Listen, Lili,
306
00:21:37,650 --> 00:21:43,323
you have six months to prove yourself
and to become the number one student.
307
00:21:43,406 --> 00:21:46,451
If you're number one, I'll let you stay.
308
00:21:47,994 --> 00:21:49,412
A boy like this...
309
00:21:53,416 --> 00:21:55,043
...is number one?
310
00:21:56,044 --> 00:21:59,881
There's no way I'll let him win!