1
00:00:02,850 --> 00:00:05,030
I've never taken the ferry at night.

2
00:00:05,030 --> 00:00:06,570
Me neither.

3
00:00:06,570 --> 00:00:08,130
It's my first time as well.

4
00:00:10,110 --> 00:00:11,610
Wowsers.

5
00:00:17,390 --> 00:00:19,790
So sparkly.

6
00:00:18,180 --> 00:00:20,970
I've reserved the same rooms 
as on the trip here,

7
00:00:20,970 --> 00:00:25,290
so make your way there quickly 
and quietly. That means no running.

8
00:00:25,290 --> 00:00:26,900
Okay.

9
00:00:26,900 --> 00:00:29,150
Tokyo's so pretty.

10
00:00:29,150 --> 00:00:31,800
Beelzebub-bye, Tokyo!

11
00:00:31,800 --> 00:00:34,160
It really is beautiful.

12
00:00:34,740 --> 00:00:37,540
That building's got so many floors.

13
00:00:37,540 --> 00:00:38,740
It sure does.

14
00:00:38,740 --> 00:00:41,870
Soda machine!

15
00:00:40,550 --> 00:00:42,310
There's another tall one.

16
00:01:07,480 --> 00:01:08,970
Tokyo!

17
00:01:08,970 --> 00:01:12,980
Love ya lots!

18
00:01:11,030 --> 00:01:12,030
Snap.

19
00:02:45,250 --> 00:02:49,180
{\fad(650,900)\an7\fnGeorgia\fscx90\b1\bord2.5\fs15\shad0\3c&H0C00CD&\pos(29.14,140.57)}Episode 7
{\fs28\bord4\fscx100\fscy120}The Lost World
{\fs14\bord2.5\fscy100\fscx90\c&H10FBF4&}Draw with the Intent to Kill

20
00:02:48,210 --> 00:02:48,750
{\fsp5\bord0.5\yshad2\b1\fnArial Black\blur0.3\4c&H2B3036&\move(435,400,435,334)\c&HCFE0E9&}Inokashira-koen Station

21
00:02:48,750 --> 00:02:49,080
{\fsp5\bord0.5\yshad2\b1\fnArial Black\blur0.3\4c&H2B3036&\move(435,334,435,300)\c&HCFE0E9&}Inokashira-koen Station

22
00:02:49,080 --> 00:02:49,250
{\fsp5\bord0.5\yshad2\b1\fnArial Black\blur0.3\4c&H2B3036&\move(435,300,435,286)\c&HCFE0E9&}Inokashira-koen Station

23
00:02:49,250 --> 00:02:49,630
{\fsp5\bord0.5\yshad2\b1\fnArial Black\blur0.3\4c&H2B3036&\move(435,286,435,272)\c&HCFE0E9&}Inokashira-koen Station

24
00:02:49,630 --> 00:02:50,210
{\fsp5\bord0.5\yshad2\b1\fnArial Black\blur0.3\4c&H2B3036&\pos(435,272)\c&HCFE0E9&}Inokashira-koen Station

25
00:02:58,920 --> 00:03:01,420
How lovely.

26
00:03:01,420 --> 00:03:04,880
So this is where my bible was born.

27
00:03:04,880 --> 00:03:08,430
You must be nervous since 
it's your first time as an assistant,

28
00:03:08,430 --> 00:03:12,260
but try to relax 
and don't say anything rude to her.

29
00:03:12,970 --> 00:03:14,810
I can sense the aura of God here.

30
00:03:14,810 --> 00:03:16,190
Are you listening?

31
00:03:16,830 --> 00:03:20,090
Man, this house is huge.

32
00:03:20,090 --> 00:03:23,490
Remember, don't say anything rude.

33
00:03:28,040 --> 00:03:32,040
The bible of my life, 
{\i0}Sweet Snake Strawberries{\i1}.{\i0}

34
00:03:29,380 --> 00:03:32,040
{\bord2.2\shad0\b1\fnComic Sans MS\fs24\blur0.3\an8\c&H3E261D&\3c&H3E261D&\t(30,550,\c&HBD6CF5&\3c&H932CDE&)\frz49.02\pos(231.42,101.71)}Sweet

35
00:03:29,380 --> 00:03:32,040
{\bord1.2\shad0\b1\fnComic Sans MS\fs24\blur0.3\an8\c&H3E261D&\3c&H3E261D&\t(30,550,\c&H2D00B5&\3c&HE7EFF3&)\frz27.21\pos(271.69,88.8)}Snake

36
00:03:29,380 --> 00:03:32,040
{\bord1.2\shad0\b1\fnComic Sans MS\fs24\blur0.3\an8\c&H3E261D&\3c&H3E261D&\t(30,550,\c&H2D00B5&\3c&HE7EFF3&)\frz16.08\pos(364.57,88)}Straw-

37
00:03:29,380 --> 00:03:32,040
{\bord1.2\shad0\b1\fnComic Sans MS\fs24\blur0.3\an8\c&H3E261D&\3c&H3E261D&\t(30,550,\c&H2D00B5&\3c&HE7EFF3&)\frz18.21\pos(368,102.29)}berries

38
00:03:29,380 --> 00:03:32,040
{\bord1.2\shad0\b1\fnComic Sans MS\fs14\blur0.3\an8\c&H3E261D&\3c&H3E261D&\t(30,550,\c&H53DBF0&\3c&H29ACD8&)\frz17.21\pos(379.43,120.57)}Hebichika

39
00:03:32,560 --> 00:03:37,430
A super-happy, hyper school rom-com 
starring the descendant of a gorgon.

40
00:03:34,670 --> 00:03:40,300
{\bord3.5\shad0\b1\fnComic Sans MS\fs56\blur0.3\an8\c&HD49DF6&\3c&HA649E5&\move(105,-160,105,168)\frz39.69}Sweet

41
00:03:34,670 --> 00:03:40,300
{\bord2.6\shad0\b1\fnComic Sans MS\fs56\blur0.3\an8\c&H2D00B5&\3c&HE7EFF3&\frz1.935\move(245,-171,245,157)}Snake

42
00:03:34,670 --> 00:03:40,300
{\bord2.6\shad0\b1\fnComic Sans MS\fs56\blur0.3\an8\c&H2D00B5&\3c&HE7EFF3&\frz1.935\move(526,-108,526,220)}Straw-

43
00:03:34,670 --> 00:03:40,300
{\bord2.6\shad0\b1\fnComic Sans MS\fs56\blur0.3\an8\c&H2D00B5&\3c&HE7EFF3&\move(526,-68,526,260)\frz1.935}berries

44
00:03:33,840 --> 00:03:40,300
{\bord2\shad0\b1\fnComic Sans MS\fs34\blur0.3\an8\c&H53DBF0&\3c&H29ACD8&\move(536,-63,536,310)\frz1.935}Hebichika

45
00:03:37,810 --> 00:03:40,300
The series sold millions of copies.

46
00:03:40,590 --> 00:03:43,170
Thanks to sustained interest
after serialization ended,

47
00:03:43,170 --> 00:03:46,720
a second part starring her older sister 
started and is going strong.

48
00:03:47,070 --> 00:03:50,020
Encountering this series 
got me hooked on manga,

49
00:03:50,310 --> 00:03:52,940
leading to me aiming 
to be a manga artist in the present.

50
00:03:53,350 --> 00:03:57,640
Its author and my god, Hebichika-sensei...

51
00:04:04,990 --> 00:04:07,240
Hello.

52
00:04:08,190 --> 00:04:12,250
I-I-I-I'm Teshima Rei. I'm a huge fan.

53
00:04:12,250 --> 00:04:17,630
And it's an honor to be helping you
with your work.

54
00:04:18,920 --> 00:04:21,710
This is the newbie. Be nice to her.

55
00:04:22,910 --> 00:04:24,880
Nice to meet you.

56
00:04:25,860 --> 00:04:27,140
{\fad(300,0)\fnImpact\b1\bord2.2\shad0\blur0.3\fs26\an1\c&H3FC2E6&\3c&HFDFEF5&\pos(28,213.14)}Assistant

57
00:04:25,860 --> 00:04:27,140
{\fad(300,0)\fnImpact\b1\bord2.6\shad0\blur0.3\fs42\c&H3FC2E6&\3c&HFDFEF5&\pos(218,250)}Poteyama Poteko

58
00:04:27,500 --> 00:04:28,590
Hey.

59
00:04:27,860 --> 00:04:29,350
{\fad(380,0)\fnImpact\b1\bord2.2\shad0\blur0.3\fs26\c&H3A29D9&\3c&HFDFEF5&\pos(93,180)}Chief Assistant

60
00:04:27,860 --> 00:04:29,350
{\fad(380,0)\fnImpact\b1\bord2.6\shad0\blur0.3\fs42\c&H3A29D9&\3c&HFDFEF5&\pos(147.43,218.29)}Natsukusa Harue

61
00:04:29,680 --> 00:04:31,210
Heya.

62
00:04:31,080 --> 00:04:32,680
{\fad(300,0)\fnImpact\b1\bord2.3\shad0\blur0.3\fs22\c&HDC537C&\3c&HFDFEF5&\pos(441.71,175.43)}Helper

63
00:04:31,080 --> 00:04:32,680
{\fad(300,0)\fnImpact\b1\bord2.6\shad0\blur0.3\fs38\c&HDC537C&\3c&HFDFEF5&\pos(515,210)}Teramura Nana

64
00:04:33,240 --> 00:04:35,290
This is where God works.

65
00:04:35,290 --> 00:04:40,680
These are her disciples. 
And I'm one of them!

66
00:04:41,480 --> 00:04:45,200
I'm glad to have you on 
until the last chapter next year.

67
00:04:45,200 --> 00:04:46,050
Right!

68
00:04:46,730 --> 00:04:49,560
Wait, {\i1}Sweet Snake{\i0} is ending?

69
00:04:49,560 --> 00:04:51,540
It's my decision to wrap it up.

70
00:04:51,770 --> 00:04:54,720
Better to be missed 
than overstay your welcome.

71
00:04:55,040 --> 00:04:58,380
I hope you'll become useful before then.

72
00:04:58,670 --> 00:05:01,900
So cool. I love her.

73
00:05:01,900 --> 00:05:03,670
I love her so much.

74
00:05:04,030 --> 00:05:05,380
Welcome to hell.

75
00:05:13,650 --> 00:05:17,360
Wow. So this is your manga, newbie?

76
00:05:18,730 --> 00:05:20,470
It's not even the least bit good.

77
00:05:21,410 --> 00:05:24,150
God herself is reading my manga!

78
00:05:24,860 --> 00:05:28,570
Let's start by practicing 
tapering your lines with a pen.

79
00:05:28,570 --> 00:05:32,490
Draw them as close 
as you can, like this.

80
00:05:34,040 --> 00:05:36,660
I'm getting lessons from God herself!

81
00:05:38,060 --> 00:05:41,300
I made curry, so let's eat.

82
00:05:42,170 --> 00:05:44,170
Made by God herself!

83
00:05:47,580 --> 00:05:49,540
It's so good.

84
00:05:49,540 --> 00:05:54,260
Whoa, that's weird. Why's God eating food?

85
00:05:54,260 --> 00:05:57,180
{\bord0.5\b1\fnGeorgia\fs20\xshad-2\frz345.2\fax0.4\3c&HB87F7B&\4c&HAE6A5E&\move(306,47,306,170)}Shogakukan

86
00:05:57,470 --> 00:06:00,640
Sensei's just so wonderful.

87
00:06:00,640 --> 00:06:02,310
Oh? I'm glad—

88
00:06:01,430 --> 00:06:04,510
She's practically glowing all the time.

89
00:06:03,330 --> 00:06:05,390
Is that right? How about—

90
00:06:05,390 --> 00:06:08,840
The weird part is she does normal things,
 even though she's God.

91
00:06:08,840 --> 00:06:11,450
Um, listen to me.

92
00:06:13,800 --> 00:06:18,920
I've realized God is just a regular person 
who'd die if I stabbed her with a knife.

93
00:06:18,920 --> 00:06:21,460
That's a scary as hell 
conclusion to come to!

94
00:06:21,460 --> 00:06:28,220
{\bord0\shad0\b1\blur0.3\fs16.5\fscx90\fax-0.33\frz311.5\c&H2C392E&\pos(486.28,165.71)}Heartbeat Love Romance (Serialization)

95
00:06:21,880 --> 00:06:24,590
Be sure to work on your own storyboards
 at the same time.

96
00:06:24,590 --> 00:06:26,820
Oh, oh, and then Sensei was like...

97
00:06:26,820 --> 00:06:27,810
Listen!

98
00:06:28,220 --> 00:06:30,430
{\bord0\shad0\b1\an8\fs12\move(338.5,303,338.5,235.5)}Shogakukan Newcomer Comic Award

99
00:06:30,430 --> 00:06:32,140
{\bord0\shad0\b1\an8\fs12\move(338.5,235.5,338.5,192.5)}Shogakukan Newcomer Comic Award

100
00:06:32,140 --> 00:06:33,020
{\bord0\shad0\b1\an8\fs12\move(338.5,192.5,338.5,179.5)}Shogakukan Newcomer Comic Award

101
00:06:33,020 --> 00:06:33,680
{\bord0\shad0\b1\an8\fs12\move(338.5,179.5,338.5,172.5)}Shogakukan Newcomer Comic Award

102
00:06:33,680 --> 00:06:34,180
{\bord0\shad0\b1\an8\fs12\move(338.5,172.5,338.5,168.5)}Shogakukan Newcomer Comic Award

103
00:06:28,220 --> 00:06:30,430
{\bord0\shad0\b1\an8\fs10\move(217.71,327.64,217.71,260.14)}Seinen Category
Honorable Mention

104
00:06:30,430 --> 00:06:32,140
{\bord0\shad0\b1\an8\fs10\move(217.71,260.14,217.71,217.14)}Seinen Category
Honorable Mention

105
00:06:32,140 --> 00:06:33,020
{\bord0\shad0\b1\an8\fs10\move(217.71,217.14,217.71,204.14)}Seinen Category
Honorable Mention

106
00:06:33,020 --> 00:06:33,680
{\bord0\shad0\b1\an8\fs10\move(217.71,204.14,217.71,197.14)}Seinen Category
Honorable Mention

107
00:06:33,680 --> 00:06:34,180
{\bord0\shad0\b1\an8\fs10\move(217.71,197.14,217.71,193.14)}Seinen Category
Honorable Mention

108
00:06:28,220 --> 00:06:30,430
{\bord0\shad0\b1\an8\fs15\move(317.71,385.36,317.71,317.86)}Hoshino Rei [Heartbeat Love Romance]

109
00:06:30,430 --> 00:06:32,140
{\bord0\shad0\b1\an8\fs15\move(317.71,317.86,317.71,274.86)}Hoshino Rei [Heartbeat Love Romance]

110
00:06:32,140 --> 00:06:33,020
{\bord0\shad0\b1\an8\fs15\move(317.71,274.86,317.71,261.86)}Hoshino Rei [Heartbeat Love Romance]

111
00:06:33,020 --> 00:06:33,680
{\bord0\shad0\b1\an8\fs15\move(317.71,261.86,317.71,254.86)}Hoshino Rei [Heartbeat Love Romance]

112
00:06:33,680 --> 00:06:34,180
{\bord0\shad0\b1\an8\fs15\move(317.71,254.86,317.71,250.86)}Hoshino Rei [Heartbeat Love Romance]

113
00:06:29,100 --> 00:06:33,080
{\i0}Heartbeat Love Romance{\i1}.
My first manga that won an award.{\i0}

114
00:06:33,080 --> 00:06:38,100
My editor asked me to try drawing 
storyboards for a serialized version.

115
00:06:38,830 --> 00:06:41,590
No, it wrapped up so nicely 
{\i0}because{\i1} it was a one-shot!

116
00:06:41,590 --> 00:06:43,630
Nothing comes after it!

117
00:06:44,970 --> 00:06:47,730
Even so, I have to create something.

118
00:06:49,120 --> 00:06:51,410
I'd like more of a hook at the beginning.

119
00:06:51,410 --> 00:06:53,760
Think more about what drives
 these characters.

120
00:06:54,810 --> 00:06:56,240
Could you listen?

121
00:06:57,010 --> 00:06:59,500
I need to add what my editor asked for.

122
00:07:00,800 --> 00:07:05,960
In my spare time between work 
(which is still just line practice),

123
00:07:05,960 --> 00:07:08,760
I get Hebichika-sensei 
to look at my storyboards.

124
00:07:08,760 --> 00:07:12,250
Not good at all. 30 points.

125
00:07:12,250 --> 00:07:17,150
For the big scenes, you need 
more "Whoosh!" and "Kaboom!"

126
00:07:19,020 --> 00:07:21,270
It's the word of God, 
so I need to add more.

127
00:07:22,420 --> 00:07:28,920
Here, it should be more "Fizzy-fizz!" 
then "Bang!" with emotions going "Boom!"

128
00:07:28,920 --> 00:07:33,610
After that, something like 
a "Ba-dump," followed by...

129
00:07:34,010 --> 00:07:39,020
In terms of a three-act structure of setup,
 confrontation, and resolution...

130
00:07:39,020 --> 00:07:39,870
Please listen.

131
00:07:39,870 --> 00:07:41,970
You need more of a "Snap!"

132
00:07:41,970 --> 00:07:44,440
To get readers to insert themselves 
into your characters...

133
00:07:44,440 --> 00:07:46,520
The flow should be like "Pop!"

134
00:07:46,520 --> 00:07:47,250
Listen to me.

135
00:07:48,270 --> 00:07:51,880
Is it, uh, getting better?

136
00:07:53,860 --> 00:07:55,070
What the hell is this?

137
00:07:57,900 --> 00:07:59,220
Storyboards?

138
00:07:59,710 --> 00:08:02,310
I'm surprised you can show them to her.

139
00:08:02,840 --> 00:08:06,910
That woman's a genius by pure instinct.
Her explanations are gibberish to most.

140
00:08:10,550 --> 00:08:14,650
Teramura Nana-san started as a helper
before moving up to being a regular.

141
00:08:16,960 --> 00:08:19,440
Curry's the only thing Sensei ever makes.

142
00:08:19,440 --> 00:08:23,460
Outside of manga, she's not picky 
about much of anything.

143
00:08:24,270 --> 00:08:28,850
Sensei's a big, selfish tyrant, 
so you'll lose hope if you do as she says.

144
00:08:29,380 --> 00:08:31,550
Don't put too much faith in her.

145
00:08:35,300 --> 00:08:35,800
Hey—

146
00:08:35,800 --> 00:08:37,050
Hey!

147
00:08:37,050 --> 00:08:39,680
I drew everything the way
 you asked, didn't I?

148
00:08:42,680 --> 00:08:45,610
I had a sudden revelation.

149
00:08:45,950 --> 00:08:49,360
Please redo all of the backgrounds here.

150
00:08:55,710 --> 00:08:57,240
How many times does this make?

151
00:08:57,570 --> 00:09:00,120
I'll kill her!

152
00:09:00,120 --> 00:09:03,650
Good luck killing me, Harue-chan.

153
00:09:03,650 --> 00:09:05,420
I can't wait.

154
00:09:07,210 --> 00:09:07,780
See?

155
00:09:07,780 --> 00:09:08,880
That's mental fortitude.

156
00:09:16,710 --> 00:09:19,360
Doing this gives you cleaner lines.

157
00:09:21,710 --> 00:09:23,470
Is that so?

158
00:09:24,750 --> 00:09:29,530
I didn't like Teramura-san at all, 
but we had one thing in common.

159
00:09:30,900 --> 00:09:33,220
Rei-chan, where's your family from?

160
00:09:33,220 --> 00:09:36,280
My folks are out in Izu Oshima.

161
00:09:37,480 --> 00:09:40,070
My grandma lives in Oshima, too.

162
00:09:40,070 --> 00:09:42,080
Wow. Who'da thunk it?

163
00:09:42,550 --> 00:09:45,200
We should go together 
once things calm down here.

164
00:09:45,590 --> 00:09:46,580
Not a chance.

165
00:09:50,580 --> 00:09:54,300
After I'd finished drawing tens 
of thousands of practice lines...

166
00:09:55,390 --> 00:09:58,230
Would you like to try drawing 
a test background?

167
00:10:04,390 --> 00:10:07,130
Your lines completely lack appeal.

168
00:10:07,130 --> 00:10:10,160
Looks like it's back 
to line practice for you.

169
00:10:11,390 --> 00:10:15,190
Aside from the lines, 
there are some common newbie pitfalls.

170
00:10:15,680 --> 00:10:18,100
The sides here are way too long.

171
00:10:18,470 --> 00:10:21,490
They should be more foreshortened.

172
00:10:21,490 --> 00:10:24,740
Also, is it me or are your rain gutters
 a little too big?

173
00:10:26,910 --> 00:10:29,710
How's your eyesight, newbie?

174
00:10:30,020 --> 00:10:34,170
It's 0.4. Barely good enough 
to get by without glasses.

175
00:10:34,170 --> 00:10:36,220
I knew it.

176
00:10:36,220 --> 00:10:38,730
You need to see the world 
the way it really is.

177
00:10:47,770 --> 00:10:50,440
I can see a lot better 
than I thought I would.

178
00:10:50,930 --> 00:10:54,360
The sides are foreshortened.
Or I think they are.

179
00:10:57,820 --> 00:10:59,660
What tones would I use for that green?

180
00:11:02,580 --> 00:11:07,230
Go heavy on the black fill.
Use #64 and #63 for the leaves.

181
00:11:07,990 --> 00:11:09,800
Scrape off the highlights.

182
00:11:12,250 --> 00:11:13,820
Good morning.

183
00:11:13,820 --> 00:11:15,830
Oh, you got glasses!

184
00:11:15,830 --> 00:11:16,690
Glasses.

185
00:11:16,690 --> 00:11:18,020
One of us now.

186
00:11:22,850 --> 00:11:23,930
I see now.

187
00:11:24,890 --> 00:11:27,310
The orientations of the houses 
aren't all the same,

188
00:11:27,630 --> 00:11:30,040
so I need to use multiple 
vanishing points.

189
00:11:33,060 --> 00:11:38,340
Look up, and vertical perspective
means the top should be skinnier.

190
00:11:43,070 --> 00:11:44,660
I prefer heavier black shadows.

191
00:11:45,310 --> 00:11:48,390
I bet it'd be fun to draw the light 
reflected on the river in white ink.

192
00:11:52,240 --> 00:11:54,340
How would you apply tones for this curry?

193
00:11:54,700 --> 00:12:02,430
Maybe layer #62 and #64 for the sauce, 
then scrape away at #60 for the rice?

194
00:12:02,740 --> 00:12:05,140
I'd go with solid black for the shadows.

195
00:12:05,730 --> 00:12:08,180
You've all got manga on the brain.

196
00:12:24,210 --> 00:12:26,630
That house's roof would be #63.

197
00:12:27,340 --> 00:12:29,830
The roof tiles for the house
 in front are #65.

198
00:12:31,000 --> 00:12:35,110
A gradient tone for the sky, 
and scrape away the clouds.

199
00:12:39,490 --> 00:12:41,870
This line's just adorable.

200
00:12:42,300 --> 00:12:45,080
Wanna try drawing a small background?

201
00:12:49,970 --> 00:12:53,430
Use white ink and scrape away tone 
for the rays of sunlight.

202
00:12:57,580 --> 00:13:00,340
I want to draw that Shiba's fur 
with a mapping nib.

203
00:13:34,090 --> 00:13:37,520
Whoa, now {\i1}that's{\i0} an intricate drawing.

204
00:13:37,840 --> 00:13:40,180
It's for the big scene in 
{\i1}Sweet Snake{\i0}'s last chapter.

205
00:13:40,180 --> 00:13:41,970
I've been at it for two weeks.

206
00:13:41,970 --> 00:13:45,010
Rei-chan, you're the star of our team now.

207
00:13:45,010 --> 00:13:46,220
You've got me beat.

208
00:13:48,030 --> 00:13:50,030
{\bord0\shad0\blur0.3\fs10\b1\fax0.1\fscx90\c&H94A9AD&\frz19.03\pos(212,58.28)}1. Romance: "Voice Memories"

209
00:13:48,030 --> 00:13:50,030
{\bord0\shad0\blur0.3\fs10\b1\fax0.02\fscx90\c&H94A9AD&\frz27\pos(93.15,120.57)}Modern sci-fi love story ->

210
00:13:48,030 --> 00:13:50,030
{\bord0\shad0\blur0.3\fs10\b1\fax0.1\fay-0.02\fscx90\c&H94A9AD&\frz19.03\pos(195.43,78.85)}AI talking with voice of dead lover

211
00:13:48,030 --> 00:13:50,030
{\bord0\shad0\blur0.3\fs10\b1\fax0.02\fscx90\c&H94A9AD&\frz27\pos(165.71,114.29)}{\u1}"Machine emotions"{\u0} and {\fax0.1\frz20\u1}"human regrets"{\u0} blend together

212
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs9\b1\fax0.02\fscx90\c&H94A9AD&\frz27\3c&HCADEE2&\pos(182.86,134.86)}* Protagonist with a lost lover. {\frz22}Boots up AI assistant out of loneliness.

213
00:13:48,030 --> 00:13:50,030
{\bord0\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H94A9AD&\frz27\pos(189.14,154)}* AI slowly begins to talk and react more {\frz22}and more like the lover... (voice similar, too)

214
00:13:48,030 --> 00:13:50,030
{\bord0\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H94A9AD&\frz27\pos(186.29,178.86)}* AI tells protag "I love you", {\frz24}and line between real and virtual

215
00:13:48,030 --> 00:13:50,030
{\bord0\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H94A9AD&\frz26\pos(204.57,190.86)}begins to blur for protag {\frz23}<- Hmm... dunno about this

216
00:13:48,030 --> 00:13:50,030
{\bord0\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H94A9AD&\frz26\pos(195.14,216)}* AI begins to talk about truth behind lover's death

217
00:13:48,030 --> 00:13:50,030
{\bord0\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H94A9AD&\frz26\pos(212.43,229)}Deleting or\h\h\h\hholding convos forever

218
00:13:48,030 --> 00:13:50,030
{\bord1.5\shad0\blur0.3\fs10\b1\fax0.02\fscx90\c&H94A9AD&\frz27\pos(227.43,258)\3c&HD0E3E7&}Protag chooses—

219
00:13:48,030 --> 00:13:50,030
{\bord1.5\shad0\blur0.3\fs10\b1\fax0.02\fscx90\c&H94A9AD&\frz27\3c&HD0E3E7&\pos(232,286.86)}- Does love lie in (memories) or (existence)...

220
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H869CA1&\frz27\3c&HD0E3E7&\pos(259.43,307.43)}Memories, but at the same time, what exists in this moment?

221
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs6.5\b1\fax0.02\fscx90\c&H869CA1&\frz25\3c&HD0E3E7&\pos(345.14,252)}Is that true?
Hard question

222
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs10\b1\fax0.02\fscx90\c&H74858A&\frz27\3c&HD0E3E7&\pos(292,330.29)}"Little Sister in the Mirror"

223
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs7\b1\fax0.02\fscx90\c&H74858A&\frz29s\3c&HD0E3E7&\pos(317.71,337.14)}Stranger who looks just like her begins

224
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H74858A&\frz27\3c&HD0E3E7&\pos(354.86,338.86)}invading her life

225
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H74858A&\frz31\3c&HD0E3E7&\pos(317.71,21.14)}* With will of her own

226
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H74858A&\frz29\3c&HD0E3E7&\pos(348,29.14)}* From inside the mirror

227
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H74858A&\frz27\3c&HD0E3E7&\pos(398.29,20.57)}begins to accept her

228
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H74858A&\frz32\3c&HD0E3E7&\pos(342.29,64.57)}* "Mirror me" sees me

229
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs7\b1\fax0.02\fscx90\c&H74858A&\frz25\3c&HD0E3E7&\pos(423.43,23)}as nuisance. -> Traps me inside mirror

230
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs7\b1\fax0.02\fscx90\c&H74858A&\frz25\3c&HD0E3E7&\pos(451.43,40)}* Mirror shatters, leaving only "mirror me" in real world

231
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H74858A&\frz24\3c&HD0E3E7&\pos(526.29,15.43)}Scary...

232
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H74858A&\frz23\3c&HD0E3E7&\pos(545.71,44.57)}Hero: "Memory Justice"

233
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs7\b1\fax0.02\fscx90\c&H74858A&\frz27\3c&HD0E3E7&\pos(440,102)}Forgets past self after every enemy defeated

234
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs7\b1\fax0.02\fscx90\c&H74858A&\frz26\3c&HD0E3E7&\pos(476,101)}Normal human before fighting, loses parts of personality in battle,

235
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs7\b1\fax0.02\fscx90\c&H74858A&\frz27\3c&HD0E3E7&\pos(445.71,132)}after battle, tormented by loneliness and emptiness

236
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs7\b1\fax0.02\fscx90\c&H74858A&\frz28\3c&HD0E3E7&\pos(413.14,173.71)}Finishing blow even 
when all seems lost is

237
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs8\fax0.02\fscx90\c&H74858A&\3c&HD0E3E7&\frz37.15\pos(429.72,227.43)\b1\u1\c&H2E3031&}light of hope

238
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H74858A&\frz27\3c&HD0E3E7&\pos(511.43,178.86)}Even forgets who they're trying to protect.

239
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs6\b1\fax0.02\fscx90\c&H74858A&\frz27\3c&HD0E3E7&\pos(552,174.86)}For whose sake and for what justice does a hero without memories fight for?

240
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs7\b1\fax0.02\fscx90\c&H74858A&\frz25\3c&HD0E3E7&\pos(465.71,232)}(Enemy)

241
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs7\b1\fax0.02\fscx90\c&H74858A&\frz27.5\3c&HD0E3E7&\pos(557.13,194.85)}- Knows hero's past\h\h\h\hPlays mind games and steals memories with attacks

242
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs7\b1\fax0.02\fscx90\c&H74858A&\frz27\3c&HD0E3E7&\pos(573.15,203.43)}- Destroys symbols of what hero was trying to protect

243
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H74858A&\frz27\3c&HD0E3E7&\pos(500.01,251.43)}For buildings, signs, personal effects,

244
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H74858A&\frz27\3c&HD0E3E7&\pos(538.86,251.43)}include numbers, phrases, messages, etc. that seem like hints

245
00:13:48,030 --> 00:13:50,030
{\bord1\shad0\blur0.3\fs8\b1\fax0.02\fscx90\c&H74858A&\frz27\3c&HD0E3E7&\pos(532,271.43)}Put symbols of past memories on hero's equipment

246
00:13:53,480 --> 00:13:57,920
But even as I proved to be
 of use as an assistant...

247
00:13:59,620 --> 00:14:01,970
Over the past year, 
my serialization storyboard,

248
00:14:01,970 --> 00:14:06,670
as I kept adding to it with suggestions 
from my editor and Hebichika-sensei,

249
00:14:07,230 --> 00:14:09,810
turned into a misshapen {\i0}thing{\i1}.{\i0}

250
00:14:11,570 --> 00:14:15,600
But I've come this far, 
so I can't give up on it now.

251
00:14:16,270 --> 00:14:18,400
If I trash it while 
it's still a storyboard,

252
00:14:18,760 --> 00:14:21,520
that year of work might as well
 have been unpaid labor.

253
00:14:23,470 --> 00:14:28,670
Having achieved nothing else,
my only salvation was my assistant job.

254
00:14:29,740 --> 00:14:31,990
Sensei, I finished it.

255
00:14:42,960 --> 00:14:45,000
I've had a revelation.

256
00:14:45,430 --> 00:14:50,070
Let's scrap this and draw 
the last five pages from scratch again.

257
00:14:51,010 --> 00:14:51,060
{\bord0\shad0\blur0.3\fnImpact\fs54\pos(482,255)\c&H3516B6&\frz355.9}What?

258
00:14:51,060 --> 00:14:51,180
{\bord0\shad0\blur0.3\fnImpact\fs44\t(\fs30)\move(458,260,432,264)\c&H3516B6&\frz355.9}What?

259
00:14:51,180 --> 00:14:51,390
{\bord0\shad0\blur0.3\fnImpact\fs30\t(\fs25)\move(432,264,420,268)\c&H3516B6&\frz355.9}What?

260
00:14:51,390 --> 00:14:51,720
{\bord0\shad0\blur0.3\fnImpact\fs25\t(\fs23)\move(420,268,415,270)\c&H3516B6&\frz355.9}What?

261
00:14:51,720 --> 00:14:53,470
{\bord0\shad0\blur0.3\fnImpact\fs23\c&H3516B6&\frz355.9\pos(415,270)}What?

262
00:14:51,510 --> 00:14:52,280
What?

263
00:14:53,840 --> 00:14:56,540
I-Is it because of my drawing?

264
00:14:56,540 --> 00:14:59,270
If we start from scratch here,
 the deadline...

265
00:14:59,270 --> 00:15:03,010
Your art's not to blame here, newbie.

266
00:15:03,010 --> 00:15:07,320
I was just thinking about how to make this
the best last chapter possible,

267
00:15:07,320 --> 00:15:09,870
and the idea just came to me.

268
00:15:10,670 --> 00:15:14,280
Hello, Hana-chan? About the deadline...

269
00:15:15,320 --> 00:15:18,150
I'm asking {\i1}because{\i0} I know it's too late.

270
00:15:19,420 --> 00:15:23,200
Wait. I'm still the newbie to her?

271
00:15:25,470 --> 00:15:29,670
What frustrated me most wasn't her 
calling me "newbie" or rejecting my art.

272
00:15:30,420 --> 00:15:32,760
Well, I mean, that frustrated me plenty.

273
00:15:34,340 --> 00:15:36,360
But that last chapter she redrew...

274
00:15:37,070 --> 00:15:40,200
It was amazingly, incredibly wonderful.

275
00:15:41,980 --> 00:15:44,100
She's so selfish.

276
00:15:45,540 --> 00:15:48,410
And has so little regard 
for anyone else.

277
00:15:52,390 --> 00:15:55,810
So how can she draw something
 so beautiful?

278
00:15:59,080 --> 00:16:03,760
She's just a regular person who'd die 
if I stabbed her with a knife.

279
00:16:12,080 --> 00:16:13,230
I should kill her.

280
00:16:14,620 --> 00:16:16,090
Kill her with what?

281
00:16:17,610 --> 00:16:19,600
With manga, of course.

282
00:16:21,130 --> 00:16:22,920
The question isn't if I can or can't.

283
00:16:23,430 --> 00:16:25,800
It's a matter of if I have
 the will to kill her.

284
00:16:27,580 --> 00:16:28,590
Can I kill her?

285
00:16:29,720 --> 00:16:33,270
With this misshapen manga of mine?

286
00:16:48,790 --> 00:16:52,380
Three. Two. One.

287
00:16:57,730 --> 00:16:59,900
Thank you all for your hard work.

288
00:17:00,220 --> 00:17:02,810
This team of ours may be done for now,

289
00:17:02,810 --> 00:17:06,370
but if you're available for my next work, 
I'd love to have you all back.

290
00:17:06,370 --> 00:17:07,220
Absolutely not.

291
00:17:07,220 --> 00:17:08,130
No way in hell.

292
00:17:08,130 --> 00:17:10,020
Not happening.

293
00:17:11,900 --> 00:17:13,230
Sensei.

294
00:17:13,710 --> 00:17:17,500
I completely redrew my storyboards, 
so could you please look?

295
00:17:18,220 --> 00:17:22,540
Oh? You gave up on the one 
you were working on for a year?

296
00:17:22,970 --> 00:17:25,380
I drew it with the intent of killing you!

297
00:17:28,370 --> 00:17:31,130
{\bord0\shad0\b1\blur0.3\fs18\t(\fs20)\fscx90\fax-0.31\frz314.5\c&H2C392E&\move(517,150,546,145)\frx2\fry6}Robota & Pokota

298
00:17:35,130 --> 00:17:36,760
{\fad(0,500s)\bord0\shad0\b1\blur0.3\fs18\fscx90\fax-0.31\frz314.5\c&H2C392E&\pos(517,150)\frx2\fry6}Robota & Pokota

299
00:17:37,550 --> 00:17:41,720
I won't lend my help to anyone 
with that look in their eye.

300
00:17:42,430 --> 00:17:45,840
After all, you and I are already...

301
00:17:48,720 --> 00:17:52,830
Good luck killing me, Rei-chan.

302
00:17:53,860 --> 00:17:55,370
{\bord0\shad0\b1\blur0.3\fs15\fscx90\fax-0.09\c&H365775&\frz130.2\pos(245,190)}Robota & Pokota

303
00:17:55,370 --> 00:17:55,620
{\bord0\shad0\b1\blur0.3\fs15\fscx90\fax-0.09\c&H365775&\frz130.2\move(245,190s,245,202)}Robota & Pokota

304
00:17:55,620 --> 00:17:56,320
{\bord0\shad0\b1\blur0.3\fs15\fscx90\fax-0.09\c&H365775&\frz130.2\pos(244.43,200.28)}Robota & Pokota

305
00:17:56,320 --> 00:17:56,450
{\bord0\shad0\b1\blur0.3\fs15\fscx90\fax-0.09\c&H365775&\frz127.2\pos(241.57,192.85)}Robota & Pokota

306
00:17:56,450 --> 00:17:57,870
{\bord0\shad0\b1\blur0.3\fs15\fscx90\fax-0.09\c&H365775&\frz125.6\pos(239.28,184.28)}Robota & Pokota

307
00:17:58,110 --> 00:17:59,880
Bye now!

308
00:18:00,970 --> 00:18:04,280
You're going to call me by my name {\i0}now{\i1}?{\i0}

309
00:18:08,410 --> 00:18:11,520
It really sucked working with her.

310
00:18:16,400 --> 00:18:19,390
Wanna go to Oshima for real?

311
00:18:43,790 --> 00:18:45,780
I feel so free now.

312
00:18:45,780 --> 00:18:46,990
Mind if I scream?

313
00:18:46,990 --> 00:18:48,360
Let's do it.

314
00:18:50,740 --> 00:18:54,170
I'll kill everyone!

315
00:18:50,740 --> 00:18:53,310
Rei-chan, I love you!

316
00:18:54,620 --> 00:18:55,570
What was that?

317
00:18:56,070 --> 00:18:57,320
Nothing.

318
00:19:07,750 --> 00:19:09,400
Hey, Nana-chan.

319
00:19:26,590 --> 00:19:30,790
Back in the day, we'd burn 
our pen nibs with a lighter.

320
00:19:30,790 --> 00:19:34,040
They said you'd get 
cleaner lines that way.

321
00:19:34,040 --> 00:19:36,160
Wow, that's so cool.

322
00:19:36,160 --> 00:19:37,900
So {\i1}this{\i0} is where you were.

323
00:19:37,900 --> 00:19:39,790
Oh, Tessie.

324
00:19:39,790 --> 00:19:41,850
It's almost midnight.

325
00:19:41,850 --> 00:19:44,770
What are you doing out here at this hour?

326
00:19:45,140 --> 00:19:49,140
Comitia may be over, but the trip 
hasn't ended until you're back home.

327
00:19:49,140 --> 00:19:53,850
Get back to your room 
as quickly as you can and go to bed.

328
00:19:53,850 --> 00:19:58,230
Nana-chan was telling us 
what you were like in the past.

329
00:19:59,740 --> 00:20:02,240
Hey! How much did you tell them?

330
00:20:02,240 --> 00:20:05,700
Ai-chan was trying to figure out
 what she should draw next.

331
00:20:05,700 --> 00:20:10,100
I was telling her how you struggled as well
 back in your assistant days.

332
00:20:11,980 --> 00:20:15,590
I was surprised you used 
to draw manga, Nanacchi.

333
00:20:15,590 --> 00:20:17,680
What sort of manga did you draw?

334
00:20:18,660 --> 00:20:20,750
I don't remember anymore.

335
00:20:20,750 --> 00:20:23,010
There's no way you'd forget that.

336
00:20:23,010 --> 00:20:23,970
Right?

337
00:20:23,970 --> 00:20:26,430
Why'd the two of you quit?

338
00:20:28,640 --> 00:20:31,130
Grown-ups have a lot going on.

339
00:20:31,130 --> 00:20:34,670
Instead of pointless stories 
about the past,

340
00:20:34,670 --> 00:20:38,480
you should give some proper thought 
to what you'll do for your next work.

341
00:20:39,070 --> 00:20:41,160
What a pushy way to change the topic.

342
00:20:41,160 --> 00:20:43,240
Real pushy move there.

343
00:20:43,240 --> 00:20:46,780
I managed to change the topic 
without being too pushy.

344
00:20:47,020 --> 00:20:48,750
{\pos(205,342)}Don't be so pushy, Tessie!

345
00:20:48,340 --> 00:20:50,160
{\fad(175,0)\fnImpact\bord1.2\fs32\shad0\blur0.3\b1\pos(514,298)\c&H4BDFF3&\3c&H0C2936&}Doesn't hold back

346
00:20:48,750 --> 00:20:50,160
{\pos(205,342)}Pushy.

347
00:20:50,430 --> 00:20:53,120
Wh-What do you mean, "pushy"?

348
00:20:53,120 --> 00:20:55,100
We didn't come on this trip for fun.

349
00:20:55,100 --> 00:20:57,230
I came to have fun.

350
00:20:57,230 --> 00:20:59,920
You're fine, Nana-chan, 
since you're not in the club.

351
00:21:00,170 --> 00:21:04,570
Aw, man. I'd join if I were in high school,

352
00:21:04,570 --> 00:21:09,150
Miss Advisor of the South Oshima High 
Manga Club, Teshima Rei-sensei.

353
00:21:09,480 --> 00:21:10,050
No way.

354
00:21:10,330 --> 00:21:13,560
Who were the two of you assistants for?

355
00:21:13,910 --> 00:21:15,630
Oh, I'd love to know!

356
00:21:16,270 --> 00:21:18,680
They brought the topic right back.

357
00:21:18,680 --> 00:21:20,520
Who do you think it was?

358
00:21:20,520 --> 00:21:22,110
Don't give me that.

359
00:21:22,110 --> 00:21:24,340
Tell us, Nana-chan!

360
00:21:24,340 --> 00:21:27,300
Tell us.

361
00:21:25,000 --> 00:21:27,300
I'd like to know as well.

362
00:21:35,420 --> 00:21:38,420
{\fad(300,300)\an7\bord1\shad0.5\blur0.3\b1\fscx95\fnArial\fs16\3c&H856CD7&\4c&H856CD7&\pos(13,10)}Translation: John K.
Timing: Andy Ellis
Editing: SMR
Quality Control: Ashley Barboza
Final Check: Michelle Tymon